![]() |
![]() |
Visit The *EVEN NEWER* Barrow-Downs Photo Page |
|
|
Thread Tools | Display Modes |
![]() |
#18 | |
Itinerant Songster
Join Date: Jan 2002
Location: The Edge of Faerie
Posts: 7,066
![]() ![]() |
Quote:
But what do we mean by enchantment? It seems clear enough that what we're talking about here is related to our comparison of Smith of Wooton Major and The Silmarillion in the "SWOM in Middle-earth" thread. There, davem and I, and others, wrote how we found ourselves more moved by SWOM than by the Sil, whereas others had the opposite experience. "Moved" is obviously an extremely subjective term. The words you use, Aiwendil, reveal an approach to the work of Tolkien that is not "home" for me, though clearly it is "home" for you. Just two examples: "close scrutiny"; "act of studying". HoME, as presented by Christopher Tolkien, renders such activity a necessity. It seems to me (and correct me if I err) that you approach HoME as a historian, or even perhaps as a lay philosopher. I respect such an approach. However, as I said above, it is not "home" for me. For me, the enchantment is the thing, and it is no simple thing. I suppose it's time to wander into that second thread I had mentioned earlier. Pardon me for the rehash, but I feel it's necessary. Some of you know this stuff already, so I'm sorry for creating unnecessary boredom. You might want to check my facts to make sure I'm expressing this correctly. Samuel Taylor Coleridge posited "suspension of disbelief" as an activity a reader brings to a work of fiction. He meant that the reader realizes, of course, that the work of fiction is not true, but suspends that realization for the sake of enjoyment of the story. J.R.R. Tolkien made a further distinction between suspension of disbelief and "secondary belief". JRRT felt that the mere suspension of disbelief was not an adequate description of what occurs in reading fairy story. The author weaves a spell by means of the subcreation of a feigned reality, a secondary reality. If the author does well, the reader is cast (voluntarily) under the author's spell for the duration of the reading (and perhaps longer). This is the enchantment. Its effect is to experience that subcreation as real, even though it is feigned. At no point need the reader be truly deluded that the feigned reality is primarily real, but for the sake of the story, that secondary reality may be entered into as if passing into a room in one's house. But there are things that break the enchantment. It no doubt varies from reader to reader. I find that the enchantment is more easily broken the more I learn of the craft of writing. Thus, my own extended knowledge threatens the enchantment. What about Christopher's commentary on his father's multiplicitous (yes, it is a word, Bethberry ![]() Please understand that in all this explication, I'm not really being successful in communicating the reality of the experience of secondary belief enchantment. If one has not experienced it, I most assuredly cannot adequately describe it. Just a quick question for davem: could you please start your own darned thread? Just kidding. ![]() |
|
![]() |
![]() |
|
|
![]() |