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Old 05-18-2005, 07:52 AM   #17
davem
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Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
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davem is battling Black Riders on Weathertop.davem is battling Black Riders on Weathertop.
Bb

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1. The supreme Author is never wrong in his art.
The ART is never 'wrong'. To the extent that the author produces true art he/she cannot be wrong. To the extent that he/she fails to produce true ART they are wrong.

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2. Reading is an act of complete submission to the will of the art.
In the first instance it is submission to the art itself, not to the 'will' of the Art (I'm not sure 'art can be said to have a 'will' of its own, so I'm not entirely sure what you mean here.)

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3. therefore, any breaking of the enchantment is the fault of the reader
Any breaking of true enchantment - ie where the author has successfully achieved the goal of true sub creation - would be the result of the reader breaking the spell. Well, assuming the author himself doesn't deliberately break it.

H
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ow do we know who a Supreme Author is? Any author who manages to attract one reader for whom the enchantment is not broken.
'Supreme author' is not a phrase I've used - because I'm not sure what it means.

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Even if readers begin with the complete, utter, honest and sincere attempt to submit to be raptured, if anything happens to break that rapture, by definition it is always the fault of the reader. Readers are obviously fallen creatures and the Supreme Author is omnipotent.
See answer to point 1

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Originally Posted by Fordim Hedgethistle

There are parts of the story in which I find the writing itself to be somewhat stilted (the Professor can get carried away with his high-style at time, particularly in RotK: all those "and lo!" and hyperbolic similes) and these moments tend to shake my immersion in the world, simply because I shift away from the story itself to the manner of its writing.



The Reader in this case obviously lacks the desire to submit to everything as story by bringing in baggage such as aesthetic style.
But I don't find parts of it 'stilted', & nor do many other readers, therefore Fordim is stating a personal opinion, not an objective 'fact'. Fordim is bringing personal 'baggage' to his reading of the text & so to his experience of the 'art'.

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And for those readers who choose to bring precaution with them on this night of seduction, well, we all know that certain forms of control have been declared WRONG as interfering with the Supreme Author's Will to choose who and when ideas are propagated.
Well, if one is not prepared to take risks in order to experience enchantment one cannot really complain if one remains unenchanted, can one? Though I realise that shutting up for 5 minutes & submitting oneself to a work of art in order for it to work its effect on one is a truly terrifying prospect & this is why I support the proposal that all art galleries display health warnings & that parental guidance stickers be applied to Bach cd's.
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