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#31 | |
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Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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Quote:
The enchantment they inspire in us comes from the 'story' we tell ourselves about them when we look at them. We are responding to something else, something 'other' - to what they 'symbolise' for us. Its about awe, about suddenly being open to the Other. I'd say what you're talking about is a sudden 'baggage-free' moment, when the mundane is seen through, & there is a glimpse of 'Joy, beyond the walls of the World, poignant as grief.' So, in the instances you cite, I'd say that rather than experiencing an 'enchantment' inherent in the primary world, you are experiencing an enchantment that comes through the primary world, from another level of 'Reality'. I find this happens in reading Tolkien works - when I read them as they are, without theorising or making connections with primary world contents. The Secondary world is a 'between place', between the mundane primary world, & somewhere 'Else'. When we enter 'Faerie' we move a step closer to a place or state beyond words. The 'enchanting' of the primary world that we experience is a result of seeing it 'through enchanted eyes', & that enchantment happens within the secondary world - when it is experienced as much as possible as a world/state in its own right. I'd say that whether you are conscious of it or not, that when you look at those mountains, you are not enchanted by their size, or their age, or their sense of permanence, but by the 'story' behind those things. I think its something along the lines of Charles William's 'Beatrician experience'/Romantic Theology - an experiencing of the Creator, the Source, through other creatures. He called it the Way of the Affirmation of the Images. Rather than rejecting the creation as 'not-God' & following an ascetic lifestyle in order to find the Divine, we seek to experience the divine through the creation, through the 'Images', or 'Masks' of God. |
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