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#2 | |
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Deadnight Chanter
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This chapter, along with one to follow, is one of the most hard to read (for me). Not much 'dramatics', apart from several instances, but constant growth of pressure and creeping despair. Dark, thirst, hopelessness - the build-up is masterful. Tolkien does not have to resort to 'cheap' dramatic effects to make it obvious Mordor is dreadful place. On that background the few intrusions of hope are cut out clearer:
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Snaga/Big Ork encounter is relief of sorts. Indeed, it adds up to the tension, showing how hot on Frodo and Sam's tracks pursuit was, but it breaks up the dreadful loneliness (for me). And even orks, based on their talk and behaviour, invoke pity and sympathy - it must be wretched life with 'numbers reported' and constant fear of treachery. Further, ork-driven march it is even more depressing, and the tension is almost unbearable, with a risk of being discovered every minute, but again, it may make one feel symphaty for orks who are, maybe, unwilling to serve in the war, but are driven to it with whips 'Coincidental' rescue indeed, and the commas are rigthful, Esty. Tolkien never let slip the minor details - this is another instance of Evil bringing ruin upon itself, in all its actions, major or insignificant. Indeed, have the 'logistics' been more 'humane' in Mordor, or orks less 'self-oriented' (not pushing to get first, but letting each other in), Frodo would have been discovered. The theme of Sauron's 'selfish blindness' repeated on minor scale in his servants. Hobbits escape through 'lack of charity' in Mordor.
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