![]() |
|
|
|
Visit The *EVEN NEWER* Barrow-Downs Photo Page |
|
|
|
|
#1 |
|
Shade of Carn Dûm
Join Date: Sep 2003
Location: Halls of Mandos
Posts: 332
![]() |
Just *BUMPING* this thead back up to the top so we can hopefully continue this fascinating discussion.
__________________
"If you're referring to the incident with the dragon, I was barely involved. All I did was give your uncle a little nudge out of the door." THE HOBBIT - IT'S COMING |
|
|
|
|
|
#2 |
|
Ghost Prince of Cardolan
Join Date: Jan 2003
Location: Wandering through Middle-Earth (Sadly in Alberta and not ME)
Posts: 612
![]() |
Encaitare, what's going on. I would dearly like to continue the discussion. We left off with the beautiful melody in track three. What will happen with track four?
__________________
Back again |
|
|
|
|
|
#3 |
|
Bittersweet Symphony
Join Date: Jul 2004
Location: On the jolly starship Enterprise
Posts: 1,814
![]() |
Track 6: Minas Morgul
I'm really sorry for keeping you guys waiting. I've had so much RL stuff going on that has made it difficult for me to get online for a good amount of time, and when I was able I had to devote the time to Werewolf. But enough excuses. Since I suppose there seems to be popular demand, let's resume. Since Track 6 is pretty short, I think we can move on to Track 7 on Friday.
The switch from the pretty music of Gondor to the variation of the harsh Mordor theme is very jarring -- I always listen to the more lyrical tracks with the volume way up, and then I have to rush to turn it down before my ears get blasted! The upper instruments play the main Mordor theme while the lower ones play in descending thirds. Beginning at 0:36, the music becomes very tense, and then with the tremolo or trill at 0:56, we are back into the brash theme. The drums at this point remind me of the 5/4 Isengard beat, although that's probably to embody the chaos of Mordor and Minas Morgul since Isengard really has nothing to do with this part. 1:29 is more gentle as the immediate danger passes. This track isn't really a favorite of mine, just because it is so loud and brash... but I guess it's fitting for the location to which it pertains! |
|
|
|
|
|
#4 |
|
Ghost Prince of Cardolan
Join Date: Jan 2003
Location: Wandering through Middle-Earth (Sadly in Alberta and not ME)
Posts: 612
![]() |
The first time I was listening to this CD I jumped when this track came on. It actually happened to me several times and I also had moments where I rushed to trun down the volume. I don't like this track very much either. However, I do like the last part. The melody there is actually heard before in the Fellowship when they are climbing mount Caradhras. So I really liked to hear it again.
__________________
Back again |
|
|
|
|
|
#5 |
|
Bittersweet Symphony
Join Date: Jul 2004
Location: On the jolly starship Enterprise
Posts: 1,814
![]() |
Since I don't really like "Minas Morgul," let's move on to Rohan! Ooh, pretty music!
![]() As the title would suggest, the Rohan theme is featured for much of this track, sounding very militaristic. I love how Shore can bend and shape the same theme into so many different styles. And O! that lovely hardinger, in that lovely minor. Gets me every time, right here. *points at heart* At 0:52, there is a solo on a wooden flute... I am not sure if it's a theme we've heard before, but it's the part when Theoden tells Merry that he cannot come with the Riders. It sounds like it could be tied into the Shire theme, but at a much more sorrowful extreme. Between the solo and approx. 1:30, the horns and strings build up to the crescendo into Eowyn's little theme, when she scoops up Merry. (It's a nice little theme, really. Fits very nicely with the main Rohan theme.) The track ends very triumphantly as the Rohan theme is varied with new rhythms. |
|
|
|
|
|
#6 |
|
Animated Skeleton
Join Date: Aug 2005
Location: In Sweet Home Chicago
Posts: 30
![]() |
This track is my second favorite track of the entire score. I really like the varitions Shore put into the Rohan theme. You can here some large percussion playing after Eowyn's theme to the end. I think that adds some very nice touch to the harmony and the little details. The way the middle part (flute solo and Eowyn's theme) flows is very nice. I like how the transitions from the militaristic style and the soft emotional middle part.
|
|
|
|
|
|
#7 |
|
Ghost Prince of Cardolan
Join Date: Jan 2003
Location: Wandering through Middle-Earth (Sadly in Alberta and not ME)
Posts: 612
![]() |
We Made it To Page 6!!!!!!
I also really like this track. The Rohan theme goes well into war mode.( the Lothlorien theme isn't as good at it) I like how this track begins fast, then has a slow middle and a fast ending. Merry's moment is so nice, I always thought it sounded like a variant of the Shire theme.
__________________
Back again |
|
|
|
|
|
#8 |
|
Bittersweet Symphony
Join Date: Jul 2004
Location: On the jolly starship Enterprise
Posts: 1,814
![]() |
An article in my local paper today about the new 4 disc Fellowship soundtrack: Chord of the 'Rings'
Newsday loves horrible puns.
|
|
|
|
|
|
#9 | ||
|
Bittersweet Symphony
Join Date: Jul 2004
Location: On the jolly starship Enterprise
Posts: 1,814
![]() |
Track 8: Twilight and Shadow
Okay, let's go with "Enca shall now update this thread either Friday or Saturday of every week, depending on what her schedule allows." And this week, it happens to be Saturday.
Quote:
We can tell she is returning to Rivendell by the arpeggios of the Rivendell theme in the string section. A small oboe solo connects this section with a darker rendition of the same theme as the reforging of the sword is discussed. We then hear this:Quote:
So: do you like? Not like? Let's talk -- I want responses, especially seeing as you all were so distraught when I didn't update for a while.
|
||
|
|
|
|
|
#10 |
|
Animated Skeleton
Join Date: Aug 2005
Location: In Sweet Home Chicago
Posts: 30
![]() |
I love the Arpeggios!!! The balance is good and the vocals are very pretty. I didn't really like the Oboe solo at 2:05 because it was to short and should have been more prominent in the transition. The transistion might have been better if you added some lower voices to harmonize with the Oboe. Personally I am not a big fan of oboe solos.
__________________
Elwood: It's 106 miles to Chicago. We got a full tank of gas, half a pack of cigarettes; it's dark and we're wearing sunglasses. Jake: Hit it! |
|
|
|
![]() |
|
|
|
|