![]() |
![]() |
Visit The *EVEN NEWER* Barrow-Downs Photo Page |
![]() |
#8 | ||
Cryptic Aura
Join Date: May 2002
Posts: 6,003
![]() ![]() ![]() ![]() |
![]()
I suppose it is time to raise a point I have been noticing as I reread TH for this discussion. In general the question is, "How is this a children's story and how is it not, if it is not?"
Time was, academe turned its nose up at children's literature. It wasn't so long ago that literature departments refused to allow courses in children's literature or, allowed only students in the Education programme (that is, those training to be teachers) to earn credit for English courses in Children's literature. Didn't Tolkien himself express regret that he had written TH as a children's story? Yet children's literature has become one of the finest areas of development in literature in the last decades. Ideas about what children's literature is and how it should be written are prime topics for discussion. So, what can we gather about Tolkien's ideas concerning children's literature from TH? One aspect I have noticed is how the narrator seems to describe events and characters from what I think must represent Tolkien's conception of a child's point of view. This is, I think, what makes Bilbo seem so childlike at times: Tolkien describes a point or feeling so as to make his audience--his sons--identify with Bilbo. This is the excerpt in this chapter which makes me think Tolkien might have made a very good Sunday School teacher. It is the opening paragraphs: Quote:
Quote:
There are other passages in the previous chapters where the narrator gives to Bilbo this kind of child psychology. I think it is Tolkien the story teller working on his audience, to help them identify with his hero. Does this make sense? What else can we gather about Tolkien's ideas concerning children's literature from this story?
__________________
I’ll sing his roots off. I’ll sing a wind up and blow leaf and branch away. |
||
![]() |
![]() |
|
|
![]() |