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#1 | |||
Banshee of Camelot
Join Date: May 2002
Location: Switzerland
Posts: 5,830
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Sorry for just popping in with a comment! It's a pity I don't have time to follow all the threads, but in this sequence is something that I feel strongly about.
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But the difference to Frodo's behaviour in the book is striking: Quote:
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#2 |
Doubting Dwimmerlaik
Join Date: Dec 2004
Location: Heaven's basement
Posts: 2,466
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Though there is mention that Gollum relates to Frodo in a dog-like fashion (there are examples of Gollum exhibiting canine behavior), Frodo, as mentioned, does not treat Gollum like a dog. PJ's Frodo is more one-dimensional.
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There is naught that you can do, other than to resist, with hope or without it.
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#3 | |
Ghost Prince of Cardolan
Join Date: Nov 2005
Location: In hospitals, call rooms and (rarely) my apartment.
Posts: 1,538
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#4 |
Shade of Carn Dûm
Join Date: Sep 2003
Location: Halls of Mandos
Posts: 332
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Well, Frodo does order, "Down!" at one point in the book, and deals with Gollum like a dog a couple times, though for the most part he treats him like another human being. I don't mind this aspect of their relationship in the film at all, though.
It's very interesting to observe the Frodo-Sam-Gollum relationship dynamic in TTT, and then to see how it turns on its head in ROTK. In TTT, Frodo is presented as being wiser, more merciful, and more mature than Sam, as he spares Gollum's life and makes him lead them to Mordor while Sam becomes petty and jealous of Gollum. In ROTK, Frodo is presented as being blinded to Gollum's true nature, and eventually abandons Sam, while Sam is the hero who sees Gollum for who he really is, and eventually rescues Frodo. Obviously, this is the way it is in the films, not the books. So what changes? How come Frodo is right in TTT and Sam is right in ROTK? I think it really comes about because of the change in Gollum's character. In TTT, we see a Gollum who is very conflicted, and feels the call of the Ring, but ultimately wants to "be good," at least until the end. In ROTK, we see a Gollum who argues with himself again towards the beginning, but other than that is just evil. But I don't think Frodo and Sam's positions really change that much. Although, Frodo seems to be blind in ROTK, and I don't ever get that impression in TTT. And of course, Sam in ROTK seems to have rid himself of the sibling rivalry mentality he had in TTT. But their basic positions -- Frodo, Gollum good; Sam, Gollum bad -- don't change a bit. So there's my dissertation, and as usual, it delves heavily into future sequences. Oh well, at least I'm not giving it in an Aragorn thread.
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"If you're referring to the incident with the dragon, I was barely involved. All I did was give your uncle a little nudge out of the door." THE HOBBIT - IT'S COMING |
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#5 |
Ghost Prince of Cardolan
Join Date: Jan 2003
Location: Wandering through Middle-Earth (Sadly in Alberta and not ME)
Posts: 612
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Well in TTT Frodo sees Gollum as he is, a creature who is dealing with a continuous inner conflict. He also sees that Gollum has a chance to turn back to good. However, the problem is that he never sees the change that occurs within Gollum which takes place right at the end TTT in the final scene.
Sam simply becomes more suspicious then he was before. He might have noticed the change but I am sure.
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#6 | |
Ghost Prince of Cardolan
Join Date: Oct 2003
Location: Essex, England
Posts: 886
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As some peole may know from my posts, my view is that Frodo's Mercy towards Gollum saves Middle-earth and is THE main message / point of the story. And Jackson shows some savvy here of this view by adding in this scene showing Frodo's mercy towards Gollum........ |
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#7 |
Delver in the Deep
Join Date: Dec 2002
Location: Aotearoa
Posts: 960
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But I thought that in the current scene, Frodo mainly shows revulsion towards Gollum, whereas in the book, as Guinevere has pointed out, he was showing great kindness in trying to get Gollum to eat lembas.
The Dead Marshes looked great, although it was obvious that they were either CG in long shots or sets in close ups. I guess that the burning swamp gas was put in to make the place seem even more formidable, or possibly as an explanation for the tricksy lights. Frodo "falling" into the water, and the spirits coming to take him, was a pure horror moment. Good stuff. The wraiths on wings were nice n scary. The mysterious White Wizard was at first Christopher Lee's voice, then if memory serves it was Ian McKellen attempting to sound like Lee, then finally McKellen's voice. I think this voice morphing was a bit misguided, personally. I mean, it's hardly realistic, and why bother continuing to play games with the audience? We've already had some ambiguity over which wizard is appearing; there's no need to hammer it home so hard. Gandalf's recollection of the final moments of his battle with the Balrog was cool. I wonder how it would have played out if the opening scene had been viewed here instead? Slower start to the movie, I guess. The fall worked well where it was, drawing us in to the action immediately. I really liked Gandalf's trippy voyage into the world beyond. Very nicely done. I thought that Shadowfax's introduction was a bit too much like a shampoo commercial. I would have loved it if he had been a grey or silver coloured horse, as in the book, but I guess that a white horse for Gandalf the White is suitable.
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