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#1 |
The Pearl, The Lily Maid
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Opera. Or at least Verdi. Yes, I liked it.
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<=== Lookee, lookee, lots of IM handles! |
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#2 |
Byronic Brand
Join Date: Mar 2005
Location: The 1590s
Posts: 2,778
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Which one? Rigoletto?
I assign Don Carlos in particular to avoid this post being skwerl-worthy.
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Among the friendly dead, being bad at games did not seem to matter -Il Lupo Fenriso |
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#3 |
Blithe Spirit
Join Date: Jan 2003
Posts: 2,779
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Otello for me.
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Out went the candle, and we were left darkling |
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#4 |
The Pearl, The Lily Maid
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La Traviata
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<=== Lookee, lookee, lots of IM handles! |
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#5 |
Riveting Ribbiter
Join Date: May 2005
Location: Assigned to Mordor
Posts: 1,767
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I'm rather partial to Il Trovatore and Rigoletto myself, though La Traviata was the first of the Verdi operas I saw...
I assign Donizetti operas. L'Elisir d'Amore and Lucia di Lammermore are highly recommended. Una Furtiva Lagrima is such a beautiful aria. And Rossini operas too. They're wonderful - I can probably hum most of The Barber of Seville from memory from listening to it so much. But don't ask me to sing - my voice isn't exactly operatic and probably belongs in Mordor. ![]() Actually, I'll assign all of the Bel Canto composers. Bellini isn't performed nearly as much as deserved.
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People assume that time is a strict progression of cause to effect. But actually, from a non-linear, non-subjective viewpoint, it's more like a big ball of wibbly-wobbly, timey-wimey... stuff. |
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#6 |
Byronic Brand
Join Date: Mar 2005
Location: The 1590s
Posts: 2,778
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I thoroughly endorse Lucia di Lammermore...
The cast names alone! Lord Enrico di Ravenswood!
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Among the friendly dead, being bad at games did not seem to matter -Il Lupo Fenriso |
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#7 |
Blithe Spirit
Join Date: Jan 2003
Posts: 2,779
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Agreed. I was fortunate enough to attend a Royal Opera performance of Lucia where they had a proper glass harmonica for the mad scene. An instrument so rare, with a sound so sublime, that it belongs, in itself, in the Shire.
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Out went the candle, and we were left darkling |
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#8 | |
Riveting Ribbiter
Join Date: May 2005
Location: Assigned to Mordor
Posts: 1,767
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Quote:
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People assume that time is a strict progression of cause to effect. But actually, from a non-linear, non-subjective viewpoint, it's more like a big ball of wibbly-wobbly, timey-wimey... stuff. |
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#9 | |
Pilgrim Soul
Join Date: May 2004
Location: watching the wonga-wonga birds circle...
Posts: 9,461
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I rather like baroque opera - Handel's Rodelinda particularly. Nice to get a tenor villain and I am a counter-tenor fan (claim to fame meeting Andreas Scholl). Handel at least must go to the Shire - ifnot for his opera for Zadok and Messiah....
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“But Finrod walks with Finarfin his father beneath the trees in Eldamar.”
Christopher Tolkien, Requiescat in pace |
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#10 | ||
Cryptic Aura
Join Date: May 2002
Posts: 6,003
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Interesting idea. However, given the armonica's association with insanity, perhaps that instrument was played excessively in Gondor until it affected Denethor--the staltwart, healthy hobbits being more impervious to such disorders? Quote:
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I’ll sing his roots off. I’ll sing a wind up and blow leaf and branch away. |
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