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#1 | |
Laconic Loreman
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Mansun, if it felt like anyone was ridiculing your opinion I apologize for myself, and the rest, because I'm sure that was not anyone's intent.
I've just been trying to get across davem's point. It isn't the "Lord of the Bible," it isn't "Beowulf of the Rings," it is The Lord of the Ring's, a story of it's own. If you find similarities that's good, but I got the impression that you were saying Tolkien stole and/or borrowed from the Bible. Where I'm disagreeing because someone can certainly not see anything biblical related to the Lord of the Rings, and still be just as 'right' as someone who does. Quote:
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Fenris Penguin
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#2 | ||
La Belle Dame sans Merci
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I think it would be a brilliantly fun exercise to explore the literature Tolkien might have drawn from, Bible included. Not the well known ideas that influenced his story, but the underlying inspiration. When I have more time, and that's a thought that makes me laugh sadly, I think it would a terribly exciting study to make. Literature as a form of psychosociology. How the human mind works as an individual entity and in group situations; how society influences art, as well as art's influence on society. Surely I can't be the only person with a distinct fascination pertaining to the study of ideas with very little practical value? It's an interesting experience to see the connections that minds make, both author and reader. Why quash them? I'd rather cosset them, cuddle them, perhaps even nuzzle them, and take notes to see what they grow into. Quote:
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peace
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#3 | |
Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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There are two approaches to such things: where it came from & what it was built for. It seems to me that Tolkien's purpose was not to construct a puzzle to be fathomed out, but a work of Art (or if you prefer a story) principally intended to move the reader, to entertain him or her. I can play this game of sources & inspirations well enough - I did it for much of the CbC read through, but found that by the end I had not really gotten very far or gained very much. Increasingly I don't see any value in it. If others do then that's fine for them, & I have no desire to stop them doing that. However I do see the danger that this process of dismantling the story to find out how it came to be will leave you only with a pile of old stones & deprived of sight of the Sea. But each to their own...
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“Everything was an object. If you killed a dwarf you could use it as a weapon – it was no different to other large heavy objects." Last edited by davem; 08-27-2006 at 12:59 PM. |
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#4 | |
Flame of the Ainulindalë
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A work of art / literature can't be analysed into pieces that would convey the exactly same meaning. Happily so. To re-write the old phrase: a whole is more than the sum of it's parts, and a work of art is more than the ingredients even the author thought consciously of...
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Upon the hearth the fire is red Beneath the roof there is a bed; But not yet weary are our feet... |
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#5 |
La Belle Dame sans Merci
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Sure. But can you not analyze things without losing the magic? That's not a rhetorical question. Can't you go through something and study it without interest being lost through the findings of the answers? Just because we now know why the sun rises every morning, does that decrease the beauty of dawn? Does knowledge of the origins of lightening take away from the sheer ecstasy that is watching a storm come in and rage above you?
It's like metaphysicists appreciating the finer points of creationism by learning the details of creation. In such concise study, you either fail or succeed to find things, but surely you learn nonetheless.
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peace
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#6 | |
Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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Well, it may do, I suppose. If you're that way inclined. I don't see the connection. Of course, he must have obtained his paints, & canvas, & brushes somewhere (or made them himself perhaps). And I'm sure there's a really interesting story behind that for Art students, but I think its a whole other story, & nothing to do with the Mona Lisa, except very tangentially. I don't get what you plan to do with this other story about LotR once you get it. It wouldn't be difficult to find Tolkien's sources of inspiration - everything from Northern Myth & Icelandic Sagas & the Bible, to personal experiences of being orphaned & fighting in a war, through Morris' romances, Lonrot's Kalevala, right up to Kipling's Rewards & Fairies & Wyke-Smith's 'Snergs' among much other stuff. If I knew what relevance it would have to you maybe I'd be more sympathetic to your endevour. But if all it is is just a matter of finding out what his sources were then I have to say that for me what he did is of much greater importance than what he used. EDIT In Tolkien Studies volume 2 Dale Nelson wrote a piece attempting to show how Tolkien's descriptions of Mordor were possibly influenced by descriptions of industrial towns in Dicken's Old Curiosity Shop. It is four pages long & is full of 'it may seems unlikely, but's & 'it is possible that's, & in the end tells us that Tolkien may have read said book & may have been influenced by it. In a note to the essay the author states that 'Whatever else Tolkien read by Dickens he must have read the first chapter of The Pickwick Papers (please compare, he begs, Bilbo's speech at the Long Expected Party with Mr Pickwick's oration at the end of the first chapter of PP). So, what this piece in a respected journal of Tolkien studies tells us is that Tolkien might possibly have read some Dickens & he might possibly have been influenced by some descriptions in those books. Of course, he might not have read any Dickens apart from the first chapter of PP in which case the whole piece is a waste of space.
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“Everything was an object. If you killed a dwarf you could use it as a weapon – it was no different to other large heavy objects." Last edited by davem; 08-27-2006 at 01:00 PM. |
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#7 | |
La Belle Dame sans Merci
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Think on it: say that paints were terribly hard to come by several hundred years ago for an impoverished dozenth or so child of poor parents. Say that canvases are quite equally difficult to find. Think of how resourceful that person would have to be not only to acquire supplies, but to find the time in which to use them. Think of how close Leonardo may have come to never having painted the Mona Lisa at all. Do you not further your appreciation of the art before you by knowing what went into it and how, without those things, it never could have come to be? Without the benefit of smooth transition, I'd like also to say that at this point, I have more interest in Tolkien than I do in his work. What made him tick. What inspired him. What he wrote and why he wrote it. I'm fascinated with writers in general. They have a certain something to them. A writer whose work I read recently said that nobody becomes an artist unless they have to. I'm interested in why people have to. What underlying reasons Tolkien had for what he wrote. I've been pondering Leaf by Niggle, which I finally read, for days now. Art catches my breath and takes me on wild adventures through realities unguessed. The magic captures me and stays with me. But people are equally enthralling. Delving into what goes through minds is my equivilant to sifting through a pile of jewels with each piece more enchanting than the last. Tolkien was a great writer. But I'm interested in the man, not the image of him. I'm curious about how he thought and why he thought it. If I can learn more about humanity by studying the things humans do, say, and make, cool.
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peace
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