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Old 09-06-2006, 09:54 AM   #11
Lalwendë
A Mere Boggart
 
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Lalwendë is battling Black Riders on Weathertop.Lalwendë is battling Black Riders on Weathertop.
Quote:
Originally Posted by Raynor
I wouldn't agree; Odin is, ultimately, a good deity (right?), while Sauron is, for the most part, evil. [I mean, all supreme deities have an aspect which is destructive; but there are certain destructions which are not evil in and of themselves (such as death, which is ultimately, a blessing) while other such acts stem from nihilism, rebellion, thirst for ultimate power.]
No, Odin is Odin. He is good and bad. The point I was making was that Tolkien took Odin's two distinct sides and gave the good aspects to Gandalf and the evil ones to Sauron. Quite 'neat' actually, if both characters are supposed to be equals in terms fo power. Maybe a bit like Odin had had a nightmare where his dual personality had been scrapping with itself?

And on death, I don't think Tolkien viewed it as a blessing, but as an inevitable. He showed that those who could accept it as an inevitable and resign themselves to it could find some comfort in that when the time came (e.g. Theodens words about going to his forefathers), compared with those who resisted it and could not accept the inevitability (and even tried to stave it off!). By no means all mortals found death to be a 'blessing', some of the best even lingered, e.g. Arwen.

Quote:
Originally Posted by Raynor
It seems to me that my comparison of Minas Tirith to a holy city (I had Jerusalem in mind) proved rather hard to swallow; I still find it nice (pets it) . One of the things that is interesting though is that MT has seven levels (I would speculate each one has a main gate), while Jerusalem has seven hills (according to the jewish work Pirke de-Rabbi Eliezer, but not only) and seven gates.
I wouldn't take the seven levels/seven hills parallel as good evidence as there are also seven hills in Sheffield (and Rome, but it aint a patch on Yorkshire). I think its much better to think of Jerusalem as a metaphor for the concept of a city or a state of mind, as Blake did.
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