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#1 | |
Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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Yet it has not been. I take Legate's point about the context, but I also agree that CoH now stands without such a larger context and neither do so many of us 'post Christians' . This is the point - the suffering in the world may be understandable in the larger context of Christianity/Judaism/Islam/Hinduism..... but remove that context & what one faces is as cruel & nihilistic as Morgoth. Why did Turin fight - anger, spite against Morgoth, pride, self-aggrandizement, or just because he felt Morgoth was the biggest @Ł$%@* around & he wasn't going to get away with it if Turin had anything to do with it! But the bigger point is, neither Eru nor the Valar actually step in to help him. Of course, with Morgoth & Glaurung making him the focus of their malice he has no chance - he needs divine help - but he doesn't get it. He is left to deal with the horror & suffering of his house - & does it as best he may. Turin is not an athiest - he acknowledges the existence of the Valar - he just considers them to be either useless or uncaring. They play no part in his thinking. (Too rushed...) EDIT And of course, Tolkien wrote the Narn as we have it after completing LotR, so in terms of composition we are also dealing with a post-'religious' work. Tolkien tells the story of a great victory (LotR) first, & follows it up with a tale of despair & defeat without hope. I also note that the planned sequel to LotR also looked to be full of despair & lost hope. Was Tolkien disillusioned after end of the WWII? Did he look around him & see that his England was not about to return to Christianity (remember the hopes of the TCBS?)? Is the world of CoH the world that Tolkien saw coming, the world of LotR the one that he now realised had passed away?
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“Everything was an object. If you killed a dwarf you could use it as a weapon – it was no different to other large heavy objects." Last edited by davem; 04-24-2007 at 12:21 AM. |
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#2 | ||
A Voice That Gainsayeth
Join Date: Nov 2006
Location: In that far land beyond the Sea
Posts: 7,431
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"Should the story say 'he ate bread,' the dramatic producer can only show 'a piece of bread' according to his taste or fancy, but the hearer of the story will think of bread in general and picture it in some form of his own." -On Fairy-Stories |
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#3 | |
Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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SPOILERS
Of course, one could argue that CoH doesn't obey the rules (principally the absence of a Eucatastrophe) of Fairy story as laid down by Tolkien. Which begs the question: Is CoH actually a fairy story? LotR is, so is TH, so is The Sil as a whole. Yet CoH apparently is not. There is no 'glimpse beyond the walls of the world'. The tale ends in despair, with no glimpse of hope. What there is, is courage against all odds, a flawed human being defying evil alone, even though he is in the end destroyed by it. Yet in the end he gives in to despair & takes his own life. He has nothing to live for, having apparently accepted that he cannot escape his doom, & throws himself on his sword. It could be argued that he never had a chance. The trigger had been pulled & the bullet was in flight. It was simply a matter of time before it struck him down. Breaks all the rules. Yet if is is not a 'fairy story' what is it? Do we admire Turin? He is, on the surface, a hero - he slays Morgoth's ultimate 'WMD'. He defies his fate. The 'incest' is hardly a 'sin' because he is not aware that Niniel is his sister, so he cannot be blamed for it. But is his suicide a 'sin'? From a 'Christian' viewpoint, yes, but from a Pagan one, or a pre- or post Christian one it is not - necessarily. It is a tragic end for a tragic hero. In the pre-/post-Christian worldview there is no moral judgement. Turin can commit suicide without being judged 'sinful' because in the world of the story his act is tragic but understandable, & he is still a 'hero', because he hasn't 'broken the rules'. Yet, if Frodo had thrown himself on Sting at the end of LotR we would have been shocked. It would have been 'against the rules'., because while LotR is not a 'Christian' story it is one where a deity is a guiding force, & certain rules apply. Denethor ought not commit suicide either, because that act is against the rules. The fact that he does makes him wrong. Turin & Nienor are not wrong in taking their own lives. In fact, if Mablung had done a 'Gandalf' & started 'moralising' to Turin about having 'no authority' to take his life we'd have responded by thinking him a prig. Gandalf is not a prig - Gandalf is right to upbraid Denethor about neglecting his duty, because in the world of LotR there are certain rules - but those rules do not apply in the world of CoH, which is both an older & a more contemporary one. Turin has not chosen to reject the Valar, he has not chosen not to have faith - he never had any to begin with - because, as Garth stated Quote:
Of course, one can read it as part of The Sil, & see it as the darkness before dawn, yet in a sense that is to cheapen the tragedy, & thereby make ourselves 'comfortable' with the horror. Many of the reviewers of CoH have expressed a dislike of CoH - some of them lovers of TH & LotR. Perhaps that's because, deep down, CoH is the more challenging work, uncomfortable reading without a glimmer of hope. There is no 'escape' in CoH, no happy ending, no eucatastrophe to give us hope. As I said, CoH 'balances' LotR, it is an 'anti-fairy story'. |
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#4 |
Itinerant Songster
Join Date: Jan 2002
Location: The Edge of Faerie
Posts: 7,066
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How does Turin stand up morally against the Nordic code? (I'm using the word "code" to signify "standard of behavior", just for the sake of clarity)
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#5 | |
Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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(Sorry, that's a bit rambling....) |
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#6 |
A Mere Boggart
Join Date: Mar 2004
Location: under the bed
Posts: 4,737
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It's this idea that Tolkien intended to have a version of Ragnarok at the end of time which fascinates me - in which Morgoth, newly returned from the Void, and Turin would fight. In the Norse sagas, Loki is the one newly freed from captivity and Heimdal is the one who fights him at the end of Time. Tolkien clearly envisaged an end to the world he had created drawn directly from the old sagas - but with this kind of intention, does it mean Turin was hopeless? No, he had it laid out in his fate that he would return and finally achieve his victory - and it's also quite fabulous that the end of Morgoth would be brought about by a mere Man.
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#7 | |
A Voice That Gainsayeth
Join Date: Nov 2006
Location: In that far land beyond the Sea
Posts: 7,431
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Quote:
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"Should the story say 'he ate bread,' the dramatic producer can only show 'a piece of bread' according to his taste or fancy, but the hearer of the story will think of bread in general and picture it in some form of his own." -On Fairy-Stories |
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#8 | |
Cryptic Aura
Join Date: May 2002
Posts: 6,003
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The hero has an obligation to his people, to do all he can to ensure victory--survivial--for his people in Tolkien's idea of the "heroic northern spirit." Does the ominous [i]lofgeornost'/i], "most desirous of glory", linger over Turin? I suspect this gets away from the topic at hand, though, which examines hope. So much for my 'unalloyed' reading of CoH.
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I’ll sing his roots off. I’ll sing a wind up and blow leaf and branch away. |
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