Did JRRT encourage new ME stories? - The Barrow-Downs Discussion Forum

Lalwendë · 06-15-2007, 06:25 AM

You have to question just how any writer would cope with the enigma that is Tolkien and his style. He continues to confound us from beyond the grave. Children of Hurin is a whole new thing as far as he's concerned. In stark contrast even to some of the darkest points of Rings, in that work we see a wholly different Tolkien - one who does not think of Light, of Hope or of Joy. Then you read some of the more esoteric writings such as Osanwe Kenta and you realise he had some incredibly peculiar ideas hidden away. What else is there?

Then you also have his incredibly mercurial character - for every bold statement in a letter there is another which refutes it. He was at once a serious academic in a closed world and at the same time, a wicked joker given to ASBO-inducing pranks. He loved ancient literature and at the same time gorged on contemporary fiction. He read both The Times and The Observer.

How would another writer cope with this unique author's wildly varying tone, vision and style? Could a non-British writer cope, given the subtle native nuances which his work is infused with? Would the new writer's personal vision deeply affect any new stories?

And finally, are we being just like Tolkien's stagnant, decaying Elves, wanting to constantly go back to the past and read more stuff about Middle-earth, when if we have learned anything from reading his work, surely we should all be forging ahead and founding new worlds?

06-15-2007, 06:25 AM	#19
Lalwendë A Mere Boggart Join Date: Mar 2004 Location: under the bed Posts: 4,737	You have to question just how any writer would cope with the enigma that is Tolkien and his style. He continues to confound us from beyond the grave. Children of Hurin is a whole new thing as far as he's concerned. In stark contrast even to some of the darkest points of Rings, in that work we see a wholly different Tolkien - one who does not think of Light, of Hope or of Joy. Then you read some of the more esoteric writings such as Osanwe Kenta and you realise he had some incredibly peculiar ideas hidden away. What else is there? Then you also have his incredibly mercurial character - for every bold statement in a letter there is another which refutes it. He was at once a serious academic in a closed world and at the same time, a wicked joker given to ASBO-inducing pranks. He loved ancient literature and at the same time gorged on contemporary fiction. He read both The Times and The Observer. How would another writer cope with this unique author's wildly varying tone, vision and style? Could a non-British writer cope, given the subtle native nuances which his work is infused with? Would the new writer's personal vision deeply affect any new stories? And finally, are we being just like Tolkien's stagnant, decaying Elves, wanting to constantly go back to the past and read more stuff about Middle-earth, when if we have learned anything from reading his work, surely we should all be forging ahead and founding new worlds? __________________ Gordon's alive!