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Old 09-22-2009, 08:50 AM   #1
davem
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It will be interesting to see how much the settlement came to - I'm assuming that Warner has had to pay big time....And of course, as the Tolkien Trust is a charityit will have to announce its income for this year in next years figures, which will be freely available from the Charity Commission website http://www.charity-commission.gov.uk...idiaryNumber=0

& the last accounts for year ending Apr 2008 - if anyone's interested, donations start on page 10 http://www.charity-commission.gov.uk...080405_e_c.pdf
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Old 09-22-2009, 11:44 AM   #2
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Well on past performance they will put the money to exemplary use.
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Old 09-22-2009, 04:13 PM   #3
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Originally Posted by davem View Post
It will be interesting to see how much the settlement came to - I'm assuming that Warner has had to pay big time...
If it was for much less than $100 million I'd be very surprised.
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Old 09-22-2009, 10:58 PM   #4
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The appearance of a spammer on the thread caused me to read a few of the more recent posts. I am not a lawyer either, but I'm curious -- wouldn't this idea of "creating a substantially different work" by making alterations be ineffective? I mean, if you change a work enough to create a substantially different work, won't the original work still enter the public domain according to schedule anyway?

As an extreme example, I assume something like Pride and Prejudice and Zombies is copyrighted, but of course the original Pride and Prejudice -- even those parts that are identical to the altered, copyrighted version -- is still in the public domain.
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Old 09-23-2009, 12:45 AM   #5
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I am not a lawyer either, but I'm curious -- wouldn't this idea of "creating a substantially different work" by making alterations be ineffective? I mean, if you change a work enough to create a substantially different work, won't the original work still enter the public domain according to schedule anyway?
I'm not sure about the whole Ace Books thing & the exact reasoning behind the decision for the changes which resulted in the Second Edition, yet, for all the arguments about Tolkien 'nigggling' at his work & being unable to leave it alone, we do know that that edition - with its changes, additions & deletions, only exists because Tolkien wanted to get LotR copyrighted in the US (btw, anyone wanting a cheap First Edition text of LotR should look out for the Ace paperbacks, as they are generally a lot cheaper than the 'official' ones).
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Old 09-23-2009, 02:11 PM   #6
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Originally Posted by Mister Underhill View Post
The appearance of a spammer on the thread caused me to read a few of the more recent posts. I am not a lawyer either, but I'm curious -- wouldn't this idea of "creating a substantially different work" by making alterations be ineffective? I mean, if you change a work enough to create a substantially different work, won't the original work still enter the public domain according to schedule anyway?
Yes, you are absolutely correct. To give an another example - in Europe musical recordings are only copyrighted for 50 years from their initial release (although there is legislation pending to change this to 70 years). So any song released before 1959 is now public domain in Europe. Obviously all the rock bands that recorded music in the 1960s are now worried that their copyright is shortly going to expire!

It has been suggested that The Beatles, for example, could remix their albums to establish a new version of each. However, this would not stop the original mixes of their albums from entering the public domain during the next decade.

To give another example ... if I release a newly edited version of Shakespeare's "Hamlet" with extensive annotations then that new edition is copyright, but the copyright only applies to my additions and not to Shakespeare's original text.

Once The Lord of the Rings enters the public domain the Tolkien Trust will no doubt create some super-duper "authorised edition" with loads of "new" and "exclusive" features that are still protected by copyright. However, anyone will be free to publish a bare-bones edition that just contains the original text.
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Old 09-23-2009, 02:18 PM   #7
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I've just had another thought - Tolkien's books will enter the public domain at different times in different territories. For example, George Orwell's books are public domain right now in Canada, but still under copyright in the US. That could cause major confusion for anyone planning to make a movie in a few years time.
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Old 09-24-2009, 08:48 AM   #8
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If it was for much less than $100 million I'd be very surprised.
http://economictimes.indiatimes.com/...ow/4990245.cms

Well as Dave said the Trust accounts will give a fair idea but if they asked originally for $150million then even allowing that an ooc settlement would not be the full amount ... then I would hope you were right. Of course they may have agreed to be paid in instalment.

Given that the trust aims to give continuing longterm support to its chosen charities I imagine that they will invest the bulk of the settlement in order to do this from income rather than distribute it as capital.

Even with current miniscule interest rates a lump sum of this size should generate enough to maintain the trust as a force for good for a long time even without getting crafty with extending copyright. A legacy that like the Road will go on and on... I may have to forgive PJ for what he did to the book....
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Old 11-02-2009, 05:47 AM   #9
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http://www.thelondondailynews.com/el...ko-p-3476.html

I read about this (can't find actual story) over the weekend. I think that the estimated figure was $50 million- obviously including usual revenues as well as the film settlement. Wonder if this means that they are paying in instalments...
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