Art!

[skip spence]

Originally Posted by Inziladun

I think 'nature' calls to all of us in much the same manner, whereas finding beauty and meaning in the works of Man is indeed an individual exercise.

I don't really agree. Although appreciating nature do seem to be more universal than say a Jackson Pollack painting, and might be more 'hardwired' and primal than other aesthetic pleasures, I know people who seemingly care nothing for a rocky coastline or a sunset over an ocean at rest, and you know, who can tell what a dog or a monkey thinks, seeing the same scene as we do. Beauty is in the eye of the beholder is a tired old phrase, but true all the same. It's not out there, its solely in our heads. Our individual perception of beauty is of course strongly influenced by other people's opinions and so on, but it remains a human construct, and does not exist independently of us, as do the sun, the coast or a Jackson Pollack painting.

Originally Posted by Lal

Oh I don't mean that we shouldn't discuss anything, far from it, but that trying to root out a 'purposeful meaning' to it all can detract from appreciating the artistry of it.

Sometimes, in fact most times, it's much more enjoyable to look at a painting or a poem and both enjoy the powerful picture it makes and to look at how the colours and the words fit together in that certain way. Instead of looking at it and trying to figure out what the Artist meant.

But don't you think that pondering questions like "what did he/she mean by this?", "what does this symbolise ?" or "how did he/she do this?" also could heighten your appreciation of a work of art?

I mean, I find that the enjoyment one gets from art, or anything else for that matter (many things could be called art), often to a degree depends on your knowledge and engagement in the subject matter.

Take football fex. If you've hardly ever kicked a ball, don't understand the rules or tactics involved or how difficult it is to hit a good cross, and are unfamiliar with the players and the teams, chances are you're not going to appreciate watching a game, be that the Champions League final.

Same goes with looking at a painting, or reading a book, imo. If you have some idea of the effort and skill it must've taken painting the roof of the Sistine Chapel, recognise the motives and characters, understand the symbolism, also know a bit about Michelangelo himself, his life-situation when he made the masterpiece, how Renaissance Italy was like during his days, and how difficult obtaining and mixing good paint was in those days, you are likely to enjoy looking at the piece much more than if you just walk in as a tabula rasa, don't you think?

Although Tolkien denied any specific allegorical purpose to LotR- and I believe him - it still speaks to us in more ways than telling a good story, and Tolkien certainly had a purpose, or numerous, when he wrote the book. I believe there's plenty of 'meaningful purpose' in any good writers works, and I don't see any harm in speculating just what Tolkien had in mind writing his books; quite the opposite, discussing this with smart people here only adds to my enjoyment them. Of course, a good story isn't a good story if it doesn't speak of the human condition in some general way, and another hallmark of a good book is that it goes beyond the original purpose of the writer, and can support lots of unintended interpretations and ideas too, ideas that I might find odd, but others profound and undeniably true. Those are often fun to discuss too.

Well, once again I've strayed way beyond my original thought and am now confused as to where I started from or what point I was trying to make.

Edit. This is very true though:

Originally Posted by Pitchwife

Although I do enjoy analysing, what you're saying here still rings a bell for me. If, say, a painting doesn't make me stare at it wide-eyed and agape for it's sheer beauty (like a beautiful sunset would) beyond all thoughts of analysis, it's probably not worth analysing at all; and if somebody's never had that initial experience with a work of art, chances are their analysis of it will be a futile exercise not worth reading.

[Legate of Amon Lanc]

Originally Posted by skip spence

But don't you think that pondering questions like "what did he/she mean by this?", "what does this symbolise ?" or "how did he/she do this?" also could heighten your appreciation of a work of art?

I mean, I find that the enjoyment one gets from art, or anything else for that matter (many things could be called art), often to a degree depends on your knowledge and engagement in the subject matter.

Take football fex. If you've hardly ever kicked a ball, don't understand the rules or tactics involved or how difficult it is to hit a good cross, and are unfamiliar with the players and the teams, chances are you're not going to appreciate watching a game, be that the Champions League final.

Same goes with looking at a painting, or reading a book, imo. If you have some idea of the effort and skill it must've taken painting the roof of the Sistine Chapel, recognise the motives and characters, understand the symbolism, also know a bit about Michelangelo himself, his life-situation when he made the masterpiece, how Renaissance Italy was like during his days, and how difficult obtaining and mixing good paint was in those days, you are likely to enjoy looking at the piece much more than if you just walk in as a tabula rasa, don't you think?

Hmm, I sort of disagree. Sort of. Like, I probably will agree with you on the football, but with the painting, somehow, I think it's different. Like, I consider myself a complete analphabet when it comes to art, about 99% of the painters I hardly know anything more than their name, yet I can enjoy the paintings. A bit of truth of what you say may be reflected in the fact that I am not as fond of paintings as many are, I like some, but on the purely "first sight" basis, like "yes, this painting looks nice". But I can still appreciate it.

Take music for example. I think most people don't bother who composed this and that and that he actually lived in a cottage in the countryside where he had two pigs and one duck while he was composing this. Yet still, people enjoy much of the music.

Anyway, the main point - and I believe we all, or almost all, agree on that here - is that of course, Tolkien's work is something that has so many dimensions and analysing it may be fun. That's what we are doing here all the time. There's a difference between analysing and analysing, that is I think the main issue. Like, if you are asked a question "who was Tom Bombadil", one may answer "I think he was a Maia", another "I think he was Tolkien himself" and another "I don't want to know, he is a mystery". Now, there are people - of the first kind - who start a thread and would like to discuss whether Tom was a Maia or Eru or some other unknown spirit, and they "analyse", and they enjoy themselves. Now suddenly another person, of the second kind, comes in and says "he was Tolkien" or "he was the manifestation of Simple Life". Which is something many of the people of the first kind consider "unfair", as of course there is NO Tolkien in M-E, and they don't care to know which philosophical aspect or whatever was Tom the manifestation of. They consider the Second Group as "breaching" their speculation, indeed "breaking the light" in the fashion of Saruman, as they really don't want to dig into this, for them Tom is a living person and nobody has the right to reduce him to some moral principle or metaphore. And then the third group appears, shaking head at the both of them and saying "but don't you see that Bombadil is as he is? He even says it himself. Why should you ask who he is, if he himself is not saying it? Why should we dig into this?" And they consider even the first group being the "lightbreakers".

And that's not to say that these groups are not interchangeable. The very same person who condemned Group Two might be on a different thread or even on the same thread in the very next day discussing what are the enduring values or truths behind the Lord of the Rings.

I guess it's all an issue of sort of internal approach among a group of people, or of an individual. Every work of art has these different levels of reception, it HAS them, and it's a matter of choice if you want only to gaze at the sunset and experience its beauty (to return back to the favourite example), to imagine a chariot of the sun going down the evening sky, or to wonder at the amazing order of the universe and think "wow, and so the atmosphere can bend the light like this?" It is only a matter of acknowledging, also, if you are talking to somebody else, in which terms he or she is thinking now, so that one of you does not end up saying "oh, look how the chariot of the Sun descends today" and the other, mistaking the poetic language used by the other for lack of education (and seriously worried that his companion had missed several centuries of scientific discoveries), shouting "no, what are you saying, this is a big ball of hydrogen and helium!"

[Ibrîniðilpathânezel]

Originally Posted by Legate of Amon Lanc

It is only a matter of acknowledging, also, if you are talking to somebody else, in which terms he or she is thinking now, so that one of you does not end up saying "oh, look how the chariot of the Sun descends today" and the other, mistaking the poetic language used by the other for lack of education (and seriously worried that his companion had missed several centuries of scientific discoveries), shouting "no, what are you saying, this is a big ball of hydrogen and helium!"

This makes me think of a part of Laura Ingalls Wilder's books about her young life as a pioneer. After her sister has gone blind and Laura is acting as her "eyes to the world," they go out for a walk on the prairie one fine spring day and nibble on some wild sorrel. Laura says that it "tastes like springtime," and her sister corrects her, saying that it really tastes a bit like lemon flavoring, and that people must always say precisely what they mean. Things like this occur more than once when Laura tries to describe something using words that convey more of what she feels about something she sees than give an accurate description of what is before her -- and she often doesn't know how to explain to her sister what she's trying to say.

That, I think, is rather like the difference between appreciating a work of art for the feelings it evokes in one rather than looking for the artist's intent. One is emotional; the other is intellectual. They can co-exist (despite Mary Ingalls' opinion ), and can, I believe, enhance one another. Not all artists have a specific intent in creating a work, beyond a desire to put an idea or image in their head into a form where others can see it, and thus can share it, but all Art does have something of its creator in it, even if it's merely in word choice or brush strokes. The worst stories and paintings and such are ones that follow an external formula for "how to write a story" or "how to make a painting" and have little of the artist's own feelings and thoughts in the work. There is a great deal of Tolkien's beliefs and feelings in his work, and there always has been. It can be appreciated on both thinking and feeling levels because he was a thinking and feeling person who wrote to appease his own sense of Art and not a predefined formula for how to write a book. If one wants to appreciate the beauty of the words without looking behind them for a larger meaning or intent, that's fine; and if one wants to go delving to see Tolkien the Author and his thoughts and beliefs peeping out through his words, that's fine, too.

[davem]

Just come across this episode of Nemi :

Kind of sums it up, huh?