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Visit The *EVEN NEWER* Barrow-Downs Photo Page |
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#11 | |
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Flame of the Ainulindalë
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Wow. I for one didn't know we have the author here... Well great! (And added reason to get my hands on the text)
Quote:
What I've been thinking just by myself is that the edain (and the hobbits) shared the Western tonality - with the major and minor scales, 7/12-note system etc. - but that other "races" might have something of their own. I know it is a sham to say that the Haradians would have something like music of the sub-Saharan Africa and the Easterlings might have Far-Eastern music. It may be unimaginative or shallow but might fit also Tolkien's world-view? So the enigma becomes the music of the elves - and the great prize, the music of the Ainur! The latter could be interpreted in the Pythagorean / Platonic / Hellenistic / Boethian fashion as to be "music of the spheres" not audible to human ear but of which the music we can play and hear is a vibration or reverbation of. I think Tolkien must have been aware of these theories from antiquity as the whole of creation in the Ainulindalë seems to echo that metaphysical understanding of music as the organizing-principle of reality. But what about the music of the elves? To me it has always been more of a mystical thing... I would hate to think it along the lines of the corpus of the Western "classical music", or the Western tonality.
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Upon the hearth the fire is red Beneath the roof there is a bed; But not yet weary are our feet... |
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