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#19 | |||||||
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Haunting Spirit
Join Date: Sep 2007
Posts: 95
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I don't instist Turin is "singled out" by Morgoth, merely that Tolkien singled out Turin's saga for an extended novel-length treatment. As Christopher Tolkien's commentary makes clear, Tolkien devoted a great deal of his time to the Turin saga after he had finished TLoTR. Quote:
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So Eru's actions happen within time? Is he not omniscient, or does he only "return" after having been summoned by the Valar? Quote:
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It is my understanding that Tolkien conceived of Eru as equivalent to Christian God, that was my point. Can somebody contradict me? Am I wrong about this? Did I misread Tolkien's letters?My point was, assuming that Eru is in some sense codeterminate with the Christian God, what is Tolkien doing thinking up a story like CoH, which lacks any sense of omnibenevolence at work through fate. Neither CoH nor LoTR conceive of "god" or "providence" in satisfactory ways that account for the logical and philosophical problem of Evil. (Arda would be pretty boring if they did, because there could logically be no suffering). But each text does approach the notion of "providence" differently, and I'm not talking about the contextual stories that sit together with Turin's story. I understand that Tuor talks to Ulmo, or whatever, but I'm talking about how Tolkien actually writes the CoH itself. The story, it seems to me, deliberately evokes a sense of undirected fate. That is a very different proposition to Gandalf's "you were meant to have it...and that is an encouraging thought..." Getting back to the original essay, it is clear from having had a look through the rest of the site that the author very much dislikes Tolkien generally. He lauds Michael Moorcock and seems to think that liking Tolkien constitues some kind of mental disability. He gives all the usual misunderstandings and makes Tolkien out to be some kind of freak. Having now read wider, I'm less inclined to give credence to his conception of Tolkien's work. Still, the question of morality in fantasy is a delicate one, and fantasy seems to be a really ripe place to unpack and examine issues of philosophical import, like moral absolutism (or some version thereof) vs. moral relativism (which seems to be all the craze nowadays. It is intersting to me that most "hip" fantasy today is all about the "grey" areas, or even a denial of the efficacy of moral thinking altogether. For what it's worth, I think most of these writers get Tolkien wrong from the start, and just assume his depiction of morality is binary and lacking in nuance. As Rosebury writes, Tolkien does display significant "moral courage" throughout his work, and he clearly differentiates between detrimental and ethical behaviours, but Tolkien himself noted that he is not "dealing with Absolute Evil." Do you think the nihilism of much modern fantasy is actually shared by the people who like and read it? I have no problem with fantasy that depicts colliding worldviews (as in George RR Martin) but some fantasy seems to revel in the depiction of violence as though it is sanctioned because it is no longer fashionable (at least among readers of that type of fantasy, apparently) to discourse in terms of ethical standards. |
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