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Old 01-07-2012, 12:44 PM   #1
Lalaith
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Ah, you beat me to it, t'other Lal...I was going to post that story too.
I've read one theory, that Osterling had only read the first Swedish translation of LotR, which apparently was pretty dire. What does surprise me is that Tolkien is accused of poor "storytelling"; I know his prose style isn't to everyone's taste but it is a brilliant *story*. I am getting a Swede to check the word "diktning" for me (which was the word Osterling used) to see if "storytelling" really is the correct translation.
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Old 01-07-2012, 12:53 PM   #2
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Things like this are the reasons I don't consider awards earned by books as a ringing endorsement that I should read them. Word of mouth from friends is a much more reliable gauge of quality than the opinions of Ivory Tower academics.
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Old 01-07-2012, 12:58 PM   #3
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However, I've never read Ivo Andric so I don't feel in a position to make a final judgement!
Oh and 'diktning' is more about 'poetic creation' than storytelling, my Swedish source has just told me....I'm just asking him if the bit about the bad translation could be true...
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Old 01-07-2012, 01:00 PM   #4
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He says the first Swedish translation was "fun but fairly chaotic and not particularly accurate." So there you go.
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Old 01-07-2012, 01:40 PM   #5
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Well, not all people appreciate Tolkien.

I do wonder, though, what Tolkien would have done if he got the prize?...
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Old 01-07-2012, 02:48 PM   #6
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As I've already mentioned commenting on this piece of news over Facebook, I'm actually (at least partially) glad he did not make it - for one, he's in a good company here, with all those great folks who never got one...

... and for two, imagine all the folks who would (I happen to be acquainted with some of the type) who would read Tolkien not because they enjoyed it but because he was the Nobel Prize holder, and imagine all the high-brow nonsense they would then proceed to utter about it discussing it in their literati talk-shows on specifically 'cultural' TV channels, to be followed by some horrid David Lynch movie to illustrate the point about Eowyn/Aragorn situation...

The sound of "urgh" would kind of sum the whole matter up for yours truly

I may be mightily mistaken over the matter of course
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Old 01-07-2012, 02:52 PM   #7
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However, I've never read Ivo Andric so I don't feel in a position to make a final judgement!
He has a statue in Belgrade. Someone there must have read him. And obviously someone in Sweden. One guy. On the jury. Alone.
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Old 01-08-2012, 08:08 AM   #8
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What struck me is that Tolkien was in excellent company as a Nobel reject - Lawrence Durrell, Greene, Forster and Robert Frost all having written things I've loved.

His storytelling was criticised which was very unfair as I have rarely read any story so well told, plotted and satisfactorily wound up as that of Lord of the Rings. To be fair, I think poor storytelling is particularly a modern problem, but even by the standards of his time*, Tolkien stood amongst the very best in terms of crafting a solid story.

His prose style isn't innovative, I could agree with that, but it's also never less than good. It's never turgid, always readable, and certainly before you get to Return of the King, where the tone changes, it's a lot more 'light' than many would suspect. People often criticise Tolkien for lingering too much on descriptive passages - they have clearly never read any Dickens or Hardy!

*As compared to contemporary fiction which I'm growing ever more jaded about. I keep investing my time in what for 90% of their content are really great novels only to find they fizzle out at the end or the story turns out to have been completely pointless. Gah.
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Old 01-08-2012, 08:37 AM   #9
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What I can't understand is the jury's appalling treatment of Robert Frost. Not give him a Nobel...because he's too old? Ummm...do the winners have to go on a world tour for a year while wearing a tiara?
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Old 01-09-2012, 01:38 AM   #10
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His storytelling was criticised which was very unfair as I have rarely read any story so well told, plotted and satisfactorily wound up as that of Lord of the Rings.
Well quite, which is why I checked the translation for "diktning" and found that it wasn't right.

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imagine all the high-brow nonsense they would then proceed to utter about it discussing it in their literati talk-shows
Heren, have you *seen* the canonicity thread?
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Old 01-18-2012, 11:51 AM   #11
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What struck me is that Tolkien was in excellent company as a Nobel reject - Lawrence Durrell, Greene, Forster and Robert Frost all having written things I've loved.
Don't forget Jorge Luis Borges
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Old 01-21-2012, 03:05 PM   #12
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Pipe Can't they find something else to write about?

Apart from spending the money on fancy waistcoats and a barrel of Theakston's, I can't see what use JRRT would have had for a Nobel prize. He was always a little suspicious of the waft of incense from fans and sympathetic critics, as we can see from his disapproval on hearing W.H. Auden's comment that he never again trusted the literary judgement of someone who didn't like LR. I doubt he'd have appreciated being dismissed on the basis of a translation, particularly one that he disliked himself, but Tolkien was always opposed to the use of translations and synopses in literary criticism. Since the Beowulf poet had been the victim of the same sort of unconsidered dismissal (not to mention also being too old to win a Nobel prize), JRRT might even have felt that he was in good company. When it came to his own work he was more often amused by the battle between his supporters and detractors than particularly concerned with the opinions of either.

Perhaps a more enduring comment on Tolkien's importance is that even as we approach the fortieth anniversary of his death and the fiftieth of Lewis', their two names are sufficient to make a lot of dusty old committee minutes into newsworthy material.

Personally I've found that the difference between 'good' and 'bad' literature seems to reside more in the opinion of the critic than any objective point of reference. Most criticism is merely an attempt to disguise this behind a smokescreen of academic braggadocio, and awards simply reflect the state of play: they indicate who's currently ahead in an endless and meaningless argument, occasionally managing at the same time to reward literary talent. The only things less relevant than this year's awards are those of years past.
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Old 01-09-2012, 06:15 AM   #13
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Quote:
Originally Posted by Lalaith View Post
However, I've never read Ivo Andric so I don't feel in a position to make a final judgement!
Oh and 'diktning' is more about 'poetic creation' than storytelling, my Swedish source has just told me....I'm just asking him if the bit about the bad translation could be true...
Yep, your friend is quite right. "Diktning" is a broad description of the creation of (often written) fiction, whether prose or poem, and not specifically "storytelling".

Here's the quote from the original article:
Quote:
”resultatet har dock icke i något avseende blivit diktning av högsta klass”.
and my translation:
Quote:
"the result, however, is not by any measure of the highest quality".
The phrasing actually suggest that Österling started out with some praise for Tolkien but that this was edited out, leaving only a curt dismissal.
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Old 01-09-2012, 07:38 AM   #14
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Bridge on the Drina by Andric is pretty good (that's coming from someone who probably doesn't appreciate literature properly ). It's set in Bosnia and the style of the storytelling reminds me of the Sagas of Icelanders; I think Tolkien would have found something to enjoy therein.
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Old 01-10-2012, 05:21 PM   #15
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The phrasing actually suggest that Österling started out with some praise for Tolkien but that this was edited out, leaving only a curt dismissal.
Maybe the harsh depictions or Easterlings in the triology played a part in Österlings rejection of the stories. I do not know what translation of Easterling the swedish edition used.
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Old 01-10-2012, 08:32 PM   #16
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Maybe the harsh depictions or Easterlings in the triology played a part in Österlings rejection of the stories. I do not know what translation of Easterling the swedish edition used.
The similarity of Österling's name to the Easterlings in the books as a factor? That's pretty unlikely. If it were true though, it would seem a rather petty concern for one on a Nobel committee.

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Old 01-11-2012, 05:12 AM   #17
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The similarity of Österling's name to the Easterlings in the books as a factor? That's pretty unlikely. If it were true though, it would seem a rather petty concern for one on a Nobel committee.

And welcome to the Downs!
Inzi, my good man, don't tell me you've just been whooshed by a first-time poster?

Good spot, Gauteamus!
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Old 01-11-2012, 05:36 AM   #18
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The similarity of Österling's name to the Easterlings in the books as a factor? That's pretty unlikely. If it were true though, it would seem a rather petty concern for one on a Nobel committee.
I'm hardly a linguist, but I've got an odd bit of knowledge from genealogy. The above touches on a bit of family history. When my Österling predecessors immigrated from northern Europe to the New World, they anglicized their family name to Easterling. It seems Öste translates to east. (Is this why Hobbits study genealogy? )

I would agree this ought not to be a significant factor in Nobel discussions. Still, Tolkien's depiction of humans from the east and south (Southrons) of Middle Earth are not the most politically correct of all possible depictions. If one is not from the northwest of Tolkien's world, one is apt to be portrayed as a crude evil barbarian in league with the Dark Lord.

I am reminded of Norman Spinrad's The Iron Dream, an alternate reality story where Adolph Hitler moved to the United States after World War I, and became a fantasy writer whose major work was Lord of the Swastika. Spinrad was illustrating how close fantasy novels where some races are pure and nobel while all the opposition is portrayed as vile and subhuman might be to fascist racism. If The Lord of the Rings was not intended as a thinly veiled retelling of World War II, The Lord of the Swasticka was precisely that, and at the same time a highly barbed parody of a broad class of good against evil fantasy novels, not just Tolkien's. (Wiki suggests that the intended primary target of the satire wasn't specifically Lord of the Rings, but Joseph Campbell's Hero with a Thousand Faces. Still...)

I don't know if Österling was thinking along this line at all, but the perspective on Tolkien's work might not be lightly dismissed.
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Old 01-09-2012, 04:47 PM   #19
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Things like this are the reasons I don't consider awards earned by books as a ringing endorsement that I should read them. Word of mouth from friends is a much more reliable gauge of quality than the opinions of Ivory Tower academics.
One of the many reasons I'm fond of Pratchett too...with the "Academical" snobs of Unseen University.
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