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#1 | |
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A Mere Boggart
Join Date: Mar 2004
Location: under the bed
Posts: 4,737
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But I don't see A Long Expected Party as all that close to The Hobbit. It might well be about rural Hobbits and assocated fun and games, but it's written in a more adult style and tone. I tend to think that it serves throughout the entire Lord of the Rings as an anchor, as something worth fighting for. And at the very end of the story, when the Hobbits finally take their country back from Saruman, they quickly try to turn it back to the way it was, and the tone returns back to that of the beginning, but with an underlying sadness. I think that's important, because at heart the story is not about saving Elves, or Dwarves, or Men, it's about saving The Shire.
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#2 | ||
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Laconic Loreman
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If we're talking about the tone of LOTR and the difference in the tone of The Hobbit, I think some might find the "narrator's voice" enlightening to to the topic.
As John Rateliff illuminates in The History of the Hobbit, Tolkien never really liked the "Narrator's voice" in The Hobbit, feeling it talked down to the audience: Quote:
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Personally, I always rather liked the Narrator, and the tone the voice establishes in The Hobbit. As the story continues, the Narrator gets used less and less as the book changes from light-hearted to a more serious tone. However, I don't think it's good or bad writing, just a matter of personal taste. Something the reader will probably either love or dislike (not much middle-ground ). I would have been most disappointed if a book of LOTR's magnitude and darkness used the Narrator's voice. But for The Hobbit I quite like it.
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Fenris Penguin
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#3 | |
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A Mere Boggart
Join Date: Mar 2004
Location: under the bed
Posts: 4,737
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Quote:
Tolkien did indeed dislike it - Verlyn Flieger brought it up in a lecture at Birmingham 2005 where she highlighted that it was a prime example of the 'pigwiggenry' Tolkien deplored so much in On Fairy Stories.
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