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#1 |
Curmudgeonly Wordwraith
Join Date: Jun 2007
Location: Ensconced in curmudgeonly pursuits
Posts: 2,515
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I liken it to the biblical story of Abraham offering his son Isaac as sacrifice to Yahweh. Abraham raised his knife, but Yahweh took mercy on Abraham and rewarded his faith by not allowing Isaac's sacrifice.
It is not a one-on-one comparison, but Eru forbade the sacrifice faithful Aule was willing to make and rewarded him by breathing life into the Dwarves.
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And your little sister's immaculate virginity wings away on the bony shoulders of a young horse named George who stole surreptitiously into her geography revision. |
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#2 | |
Gruesome Spectre
Join Date: Dec 2000
Location: Heaven's doorstep
Posts: 8,039
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Quote:
Still, it's an interesting parallel.
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#3 |
Pilgrim Soul
Join Date: May 2004
Location: watching the wonga-wonga birds circle...
Posts: 9,461
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I suppose it is also a contrast to Feanor's refusal to sacrifice his own creation.
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“But Finrod walks with Finarfin his father beneath the trees in Eldamar.”
Christopher Tolkien, Requiescat in pace |
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#4 | |
Gruesome Spectre
Join Date: Dec 2000
Location: Heaven's doorstep
Posts: 8,039
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Quote:
There's the obvious contrast too with Morgoth, who wanted to have his own subjects to rule, not students to teach, as Aulë.
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Music alone proves the existence of God. |
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#5 | |
A Voice That Gainsayeth
Join Date: Nov 2006
Location: In that far land beyond the Sea
Posts: 7,431
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Quote:
![]() I think the main, obvious contrast is, like Inzil said, with Melkor, who also became impatient (already before Ainulindalë, with the emptiness of the Void). This, by the way, also shows, in my opinion, how close Aulë was to Melkor in certain ways of thinking, and shows why Aulë's former Maiar (Sauron, Saruman) were the ones most prone to fall: the lack of the humility, which is shown here by Aulë, basically breaks all the differences between Aulë and Melkor (or their servants). In other words: the story also means to show the difference between Aulë and Melkor; it is fine to be impatient with the Creator's slow-moving plan and it is not a terrible and unforgivable transgression, it's the arrogance and stubborn rebellion (with no logical cause, since this story proves that eventually, Eru even let Aulë's designs enrichen Arda in the way Aulë would have wanted to) that is the core problem of the whole... well, the whole Eä.
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"Should the story say 'he ate bread,' the dramatic producer can only show 'a piece of bread' according to his taste or fancy, but the hearer of the story will think of bread in general and picture it in some form of his own." -On Fairy-Stories |
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