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Old 06-26-2014, 08:41 AM   #1
Aiwendil
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Originally Posted by Thinlomien
Martin's languages have no history. Tolkien's people have no religion.
Languages must, by logical necessity, have a history; people need not have a religion. Moreover, one might wonder about what role religion, as we know it, would play in a world in which godly or angelic beings are manifest. However, there are at least suggestions of quasi-religious attitudes toward Eru and the Valar in many places (the most notable probably being the worship of Eru in Numenor), and there is also the suggestion of cults and Melkor-worship.

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Still, George R.R. Martin is arguably the best and most notable writer of the fantasy genre today. (Who else can even be nominated?)
In terms of popularity, I would say that Robert Jordan comes close, though I suppose his death disqualifies him from the 'today' part. Philip Pullman could also be nominated. Terry Pratchett has a pretty large and devoted fan-base. And though it's her only major work, Susanna Clarke's Jonathan Strange and Mr. Norrell is fairly monumental. But, ignoring the 'best' part, I suppose I'd have to concede that Martin is the most notable fantasy writer today. A large part of his notability, it should be noted, is due to the TV series, though.

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*refuses to start an essay about how Martin's books are anti-war and anti-revenge and how they thematically mirror Tolkien's work more than most people realize*
Now there I agree with you. The fact that something is portrayed doesn't mean it's being praised. But I feel like even some of Martin's fans fail to realize that, much like those who completely missed the point of A Clockwork Orange or Fight Club.
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Old 06-26-2014, 04:12 PM   #2
cellurdur
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Will post what I have said before. ASOIAF is a fun read, but far too unrealistic and focused far too much on the soap opera life than the key things of the story.

Since it is fantasy the magic is not the problem. Rather the super human childen, the super human small person, the unrealistic distances, all characters being too flawed, the incredible plot devices guys like Littlefinger need to succeed.

It's a good book and enjoyable, but you have to constantly suspend your sense of belief chapter after chapter.

Flawed characters are okay, but when Ned and Davos look like saints compared to the rest then there is a problem. The show has actually had to whitewash so many characters to make people care about them.
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Old 06-26-2014, 07:16 PM   #3
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The show has actually had to whitewash so many characters to make people care about them.
Which has caused great outcry among the book purists. The hand wringing and gnashing of teeth about the whitewashing of Tyrion and Daenerys has to be seen to be believed.

It is almost as if some lout had invented a silly battle in Erebor between Smaug and the dwarves and then put that in a movie version of The Hobbit.
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Old 08-21-2014, 01:39 PM   #4
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I love both, but for different reasons, Tolkien has a lot of leaving things to the imagination stuff which is intriguing and mysterious, such as who is Bombadil, what exactly are Pukul men, what kind of flowers are growing round Minas Morgul, what are the Watchers, where are the Entwives. I have a million questions in my mind when I read Tolkien because some things remain unexplained, some things dwell in your mind forever, wheras I find Martins world more 'knowable' theres less mystery and ambiguity between the cracks. Martins world although fantasy is based on human greeds and lusts, its full of mud and blood, whereas Tolkien is more cerebral and spiritual and Faerie. If i went to Westeros I could end up dead on a stick, but if I went to middle Earth I could end up losing my mind with the sheer joy of being there, its far more perilous to wander into Lothlorien than Kings landing.
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Old 08-21-2014, 03:24 PM   #5
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...its full of mud and blood, ...
This is possibly the best and most concice description of ASOIAF I have ever seen.
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Old 08-22-2014, 04:33 AM   #6
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Is a Song of Ice and Fire better than Lord of the Rings?
Only if you like envisioning dystopia.

After both reading all of the books and watching the show up-to-date, I think I'm done with ASoIaF.
  • Everyone you like gets slaughtered or broken
  • Everyone you don't like gets slaughtered or broken
  • Everyone in Westeros is miserable. Without exception. There isn't one happy person in the entire world.
  • Westeros is as depressing as Oceania in 1984. It's even worse than Ohio.

I'm going to go read Cormac McCarthy's The Road to cheer up now.
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Old 08-22-2014, 06:08 AM   #7
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Originally Posted by Andsigil View Post
  • Westeros is as depressing as Oceania in 1984. It's even worse than Ohio.

I'm going to go read Cormac McCarthy's The Road to cheer up now.
My problem with A Song of Ice and Fire or something like The Wheel of Time is that any message they have is drowned in words. Using human misery as a theme is entirely valid, in my view, but compare A Song of Ice and Fire to something like Nineteen Eighty-Four or The Road. One volume, maybe one hundred thousand words or less? And they each make a devastatingly effective point. You don't need six-to-ten one-thousand-page paperbacks to do that. Even The Lord of the Rings, in three volumes as it is, can be considered one work of about a thousand pages, not unlike say Ulysses in terms of size.

Credible literature doesn't need multi-volume epics. I think one of the reasons Fantasy struggles to break into the space of such credibility is for the very reason of its enormity. People praise Martin for being 'the new Tolkien' or something to that effect but in my opinion he's substantially complicit in the culture which is holding that kind of Fantasy back.
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Old 08-22-2014, 07:34 AM   #8
FerniesApple
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Originally Posted by Andsigil View Post
Only if you like envisioning dystopia.

After both reading all of the books and watching the show up-to-date, I think I'm done with ASoIaF.
  • Everyone you like gets slaughtered or broken
  • Everyone you don't like gets slaughtered or broken
  • Everyone in Westeros is miserable. Without exception. There isn't one happy person in the entire world.
  • Westeros is as depressing as Oceania in 1984. It's even worse than Ohio.

I'm going to go read Cormac McCarthy's The Road to cheer up now.
Seen like that it could be depressing, but I find the tv series strangely uplifting and some scenes soar. (Dany as Mhyssa springs to mind) I think its a realistic depiction of medieval shenannigans, (apart from Dragons obviously ) it was a brutal age and I look at it as I would the history of the Borgias or the Medici families etc. Its rich and ripe and not to everyones taste.

I also appreciate the way he writes female characters, he gives them agency whether they are little girls or old ladies, not just cliche feisty kick *** babes as in many tv shows. (I am looking at you Moffat).

Last edited by FerniesApple; 08-22-2014 at 07:55 AM.
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