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#1 | ||
Gruesome Spectre
Join Date: Dec 2000
Location: Heaven's doorstep
Posts: 8,039
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Cursing In the Books
Well, not cursing, as in orcish vulgarities, but curses, as in wishes of ill will from one person to another.
We see many examples of this throughout the books. Sometimes they work: Quote:
Sometimes they don't work. Quote:
What I'm wondering is this: what exactly makes a curse work? I'm not speaking of Morgoth's curse of Túrin, as that curse was accomplished through the active work of Morgoth. But in the case of Mîm, he did not act directly to make the curse come true: it just happened. Now, Mîm's curse might seem to be just, as his son was shot by Andróg as he fled from the outlaws. Thorin's would seem to be unjust, because it was bourne of greed and anger, that Bilbo had given the Arkenstone to Bard as a bargaining chip. Who brings about the events laid out in a curse? Who decides what curses are just, and which are not? Isildur, though he certainly was wronged by the Men of Dunharrow when they broke their oath to him, was a mortal Man. He had no power to hold the souls of the Oathbreakers to the earth after their lives ended. So who did it? Who is the judge of whose curse ought to be fulfilled, and whose should not?
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Music alone proves the existence of God. Last edited by Inziladun; 04-03-2010 at 04:00 PM. Reason: typo |
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#2 | |
Wight of the Old Forest
Join Date: Dec 2008
Location: Unattended on the railway station, in the litter at the dancehall
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Good question!
Quote:
I wonder, however, what part, if any, guilty conscience on the side of the Oathbreakers themselves played in this. If they felt - as well they might - that they had deserved Isildur's curse by breaking their oath, they may not have felt free to move on as long as they had unfinished business in this world. Again, Eru probably agreed with their judgement of themselves, but what if He hadn't? Mîm's curse, I think, is quite another matter. Implicit assent by the cursed person doesn't seem to have played any part in its fulfilment: even if Andróg felt any guilt about the slaying of Khîm, it's hard to conceive how this could have affected the manner of his own death. And as for intervention by Eru in this case, this is hard to reconcile with his portrayal in the Silmarillion as a remote deity who doesn't meddle with His creation except in special cases after a special appeal from the Valar. (Yes, I know, somebody's going to tell me that He pushed Gollum over the brink at Sammath Naur, and I concede that this reading is possible but would argue that it's not necessary.) So either Eru isn't quite as remote from His creation as we are led to believe, or there's something else at work here.
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Und aus dem Erebos kamen viele seelen herauf der abgeschiedenen toten.- Homer, Odyssey, Canto XI |
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#3 | |
A Voice That Gainsayeth
Join Date: Nov 2006
Location: In that far land beyond the Sea
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Well the basis for this reasoning is the "causal" reasoning of the ... (well, I originally wanted to write "pre-Christian", then I decided that from the overall perspective it won't be true so I wanted to write "ancient", and then I realised that some "enlightened modern" people operate under such thoughts even up to now, so whatever), where of course there is some basic supernatural chain of effects and the supernatural has as much power as the natural. It works on similar mechanics as let's say simple physics, with the only difference that it's not "seen".
Fundamentally, we could say that - however Tolkien denies it - there was something like "magic" in Middle-Earth working exactly in this sense. (I think "magic" is the best word for that anyway.) There is also this famous quote from Thorin from the beginning of the Hobbit: Quote:
Basically I think the thing is that it has to be "meant seriously", and also, it probably needs to have some "logical grounding". The first thing, in my opinion, would disqualify the quote presented by Inzil about Thorin, as there it was definitely spoken in affect and Thorin did not really sort of mean it. Or: he would probably say it differently had he not been in affect. Whereas many curses of course are spoken in affect - looking into old tales, that's actually when they are usually spoken - however I would think that at least in M-E, they might be disqualified if the person who spoke them would not say the some thing after it has calmed down. I.e. Mim would still want Andróg to die, but Thorin won't probably want his beard to wither (if nothing else then also for that it won't be a very effective punishment. If Thorin really hated Gandalf for what he did, he'd probably wish to Gandalf to get an apprentice who would prove as useless as Bilbo did to him, or something like that). That's of course pure speculation on my part. But I am trying to find some logic in that. I am stemming also from the fact that we don't know to what extent these curses could be misused. I mean: if it was easy for any random Mordorian to say "may Gondorian crops die this year", it probably would add quite a complicated dimension to the overall struggle, wouldn't it? That makes me think that there is something to the thought of "just" curse, so that it's not there just for the sake of it, but it is somehow "in tune with the karmic balance", to use a term which I hope would make clear what I mean ![]()
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"Should the story say 'he ate bread,' the dramatic producer can only show 'a piece of bread' according to his taste or fancy, but the hearer of the story will think of bread in general and picture it in some form of his own." -On Fairy-Stories |
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#4 |
shadow of a doubt
Join Date: Jan 2008
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I think from an inside perspective to the story there's really no telling what the curses were all about. Except perhaps that they are connected to the Great Music - in the Elder Days more accessible than later on one might assume - and that characters in a moment of epiphany might get a clear vision of the (always so ironic) future through a glimpse into the Great Music. Such as when Glorfindel prophets the end of the Witch-King. This fore-seeing is mostly associated with Elves but one might assume that some mortals also have this latent ability to hear the Music so to speak.
But really, I think these curses and prophesies (that always come true) would be better understood from an outside perspective. After all, Tolkien's inspiration for these stories - the Nordic, Old English, Classic and I don't know what mythologies - are ripe with these kinds of things, and that they should pop up in his own books is understandable, no? I suppose they also help to give the books that flavour of Old Tradition Tolkien is looking for.
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#5 | |
A Voice That Gainsayeth
Join Date: Nov 2006
Location: In that far land beyond the Sea
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Quote:
(Otherwise, see above in my post.)
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"Should the story say 'he ate bread,' the dramatic producer can only show 'a piece of bread' according to his taste or fancy, but the hearer of the story will think of bread in general and picture it in some form of his own." -On Fairy-Stories |
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#6 |
shadow of a doubt
Join Date: Jan 2008
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I won't argue against your objections. It was only a far-fetched, flash of the moment, pot shot-theory to be honest. My main point was that there is no fully logical or even probable in-story explanation to these things. The curses work because that's the way it has to be. Tolkien wrote them in because it rocked his boat, because he though the theme fitting. But from an in-story perspective, Mim did not make a formal request to Eru's Ministry of Curses and Prophecies, who later deemed it appropriate, or knew the curse spell at level 3 or something. Mim just did what he did.
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#7 |
Wight
Join Date: Dec 2007
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I think we could say that it is Mandos, with Iluvatar’s permission, that grants that fulfillment of curses and decides which curses get fulfilled and which ones don’t. Mandos to me seems like someone who does not talk much, but when he talks it is important because he seems to speak prophecies or dooms. For example there is the curse of Mandos on the Noldor. So I think we could say that when a curse is said in Middle-earth Mandos hears it, consults Iluvatar about it, and then based on what he says either fulfils it or denies it. Of course this is just speculation. Of corse in Morgoth's case with Túrin it is Morgoth's will that carries out the curse.
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#8 |
A Voice That Gainsayeth
Join Date: Nov 2006
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Good idea, Nazgul-king. Why not, as for the matter of who sort of puts the curse to action, I don't see why it couldn't be Mandos and there are indeed instances, like the Doom of Noldor, that support this claim. Let's just emphasise, however, that it's not Mandos' initiative to curse the Noldor or something, but he is merely doing somebody else's will (as you have basically said in your post, I only felt the need to emphasise it). So if Yavanna for example is the so-called "minister of nature" among the Valar, Mandos might as well be the "minister of curses" (or "minister of justice", if you want it to sound better).
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"Should the story say 'he ate bread,' the dramatic producer can only show 'a piece of bread' according to his taste or fancy, but the hearer of the story will think of bread in general and picture it in some form of his own." -On Fairy-Stories |
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#9 |
shadow of a doubt
Join Date: Jan 2008
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But doesn't Mandos know all that is to come? Unless that is a line is a my mind made up. But I don't think Mandos is the decision-making type, nor one to offer his opinion. He reluctantly issues dooms yes and he's never wrong, but I think that is because he knows what's going to happen and not because he makes it happen.
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#10 | |
Gruesome Spectre
Join Date: Dec 2000
Location: Heaven's doorstep
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Quote:
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Music alone proves the existence of God. |
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#11 |
shadow of a doubt
Join Date: Jan 2008
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Think so too. And isn't that a good argument that Mandos is not one to deny or enable individual curses. It is not within his jurisdiction or power to do so. Mandos too is bound by the Music.
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#12 | |
Gruesome Spectre
Join Date: Dec 2000
Location: Heaven's doorstep
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Quote:
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Music alone proves the existence of God. |
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#13 |
Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
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I think that it will help if we look at the curses' opposites - blesings. There are some that are, well, legitimate blessings, like Varda hallowing the Silmarilli. Others are merely respectful, or wish good luck - eg the Dwarves' "may your beard grow longer".
Same could happen with curses - a real curse versus an "I wish you all the worst" sort of thing. They might sound the same as curses, but their respective opposites are totally different. For further clarification: it's like the difference between have to and must. They sound like the same thing. However, their oppisites, do not have to and must not are quite different: either you CAN, but it's not manditory, or it is prohibited.
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