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#13 | |
Deadnight Chanter
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Poems, one of them
Both poems create sense of depth, of something beyond and beneath the actual storyline the reader is engaged in. The 'realness' of the world is achieved by means of inclusion of such 'legendary' poetry.
I won't comment upon Beren and Luthien, the poem literally sends shivers down my spine, but I'm willing to expend our conversation to Gil-Galad poem a bit: Quote:
Besides, though it is not hobbit verse proper, it is too, like all other hobbit-songs, quite ambivalent in its meaning, running deeper than first glance may reveal. Especially the last line: in Mordor where the shadows are may be read in two ways. Firstly, we know that Mordor is indeed the land where the smokes and clouds cover the sky, so there are shadows in there. The verse simply describes the landscape, as it is at the certain place on the map of ME. But, remembering [in?]famous 'Canonicity' and Evil Things threads, this is another instant were Tolkien balances on the verge between two concepts of Evil - is it of independent being, does it exist? Or is it inexistent, parasite on the body of Good? This single line is worth a whole book on philosophy, I can't help admiring Tolkien's art. The Shadows, in themselves non-existent thing, caused by lack of light, absence, not presence, Are. So, Mordor is the place where non-existent things exist, the personification of Evil, the place were Evil has physical expression into the world. cheers
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Egroeg Ihkhsal - Would you believe in the love at first sight? - Yes I'm certain that it happens all the time! |
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