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#15 | |||
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Wight of the Old Forest
Join Date: Dec 2008
Location: Unattended on the railway station, in the litter at the dancehall
Posts: 3,329
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I would have liked, at this point, to delve a little into the theological implications of death as part of Eru's design (death as the Gift of Ilúvatar vs death as 'the wages of sin'), but discovered that this has already been discussed at length and brilliantly here: http://forum.barrowdowns.com/showthread.php?t=11971 Talk about re-inventing the wheel... Anyway, I think we have to consider that the Children were introduced into the Music with the Third Theme, after Melkor had already spread discord; so their very nature, as designed by Eru, was a reaction, on Eru's side, to Melkor's initial marring of the Music. (Side-thought: did Eru create the Children in Melkor's despite? That is, did He, being aware of Melkor's obsession with matter and his desire to dominate it, deliberately create beings consisting of a union of fea and hroa - matter and spirit - , knowing that whatever Melkor might do to their hroar, he would never be able to completely dominate their fear?) P.S. to Legate: Quote:
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Und aus dem Erebos kamen viele seelen herauf der abgeschiedenen toten.- Homer, Odyssey, Canto XI |
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