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#14 | ||
A Voice That Gainsayeth
Join Date: Nov 2006
Location: In that far land beyond the Sea
Posts: 7,431
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Quote:
But I don't believe she was thinking that way. I think she was just desperate and acting mainly irrationally, overwhelmed by despair. I don't think she was in the mood to spin any complicated theories. "I am doomed, we are all doomed, we are all cursed, Túrin happy to be dead, wish I were dead too" - quite easy train of thought turned into a deed. Nothing unusual there. As for seeing suicide as sinful in Middle-Earth, though, I would still assume Tolkien holding it as sinful even in Middle-Earth. Well, "sinful", I haven't seen much of a definition of "sin" in Middle-Earth, but certainly something rather wrong and something normal healthy and sane people would not do. Look at what Gandalf tells to Denethor. "The houses of the dead are no place for the living" is his greeting to him - meaning obviously both him and Faramir, you can easily see the general opinion behind it. Quite plainly it is said here: Quote:
That said, this is not exactly the same as the case of Nienor. It is given by the basic logic of the tale those people are present in. Nienor's is ultimately dark and ends badly. Denethor could have seen the day of victory and, had he overcame his pride, even see quite happy days of bringing his Stewardship to fulfilment. However, one important point I would like to raise here is that the tale never concludes these stories with any grim notes condemning those people. It is not that Narn or the Red Book would tell the people of Middle-Earth "do not commit suicide" and making examples of Denethor and Nienor and Túrin (and Maedhros, although he was an Elf, so maybe somewhat different rules apply), they just portray suicide as a desperate tragic act, implying logically that it should be avoided, but not saying that it is anything deserving any further punishment: the talk of punishment is completely out of the scope of these stories. Obviously, as also any existence after death is completely out of scope and is utterly different from the life before it (shown in the fact that it is portrayed as uncharted and alien, but at the same time with affirmation of personal continuity and with the view towards the last Great Music. I must note here that I like it, because Tolkien's image of post-mortal life is, in a way, here lot more sober and "more Christian" than many latter, esp. medieval Christian depictions, in avoiding the overspammed images of post-mortal life. Maybe the people in Middle-Earth had in a way still just too clear contact with the divine - having basically eyewitnesses among themselves - to avoid the massive creations of images of post-mortal life, in contrary to our world. Although we are talking about the West here again, who knows if some Easterlings or Southrons didn't have their own invented mythologies).
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"Should the story say 'he ate bread,' the dramatic producer can only show 'a piece of bread' according to his taste or fancy, but the hearer of the story will think of bread in general and picture it in some form of his own." -On Fairy-Stories Last edited by Legate of Amon Lanc; 04-26-2010 at 12:57 PM. |
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