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#1 |
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Haunting Spirit
Join Date: Mar 2011
Posts: 63
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Leaving Bad Enough Alone
I've always felt grateful to Professor Tolkien for largely keeping his own personal religious -- i.e., animist -- beliefs out of his published literary creations. Perhaps this reflects the rigorous criticism that he regularly solicited and received from his great friend and colleague, the atheist C. S. Lewis. At any rate, and as numerous others have noted, Tolkien's studied ambiguity towards -- if not indifference to -- religious practices in his fictional Middle-earth make this fantasy world more universal and acceptable in its appeal, particularly since historic religious traditions -- especially the Single Spook variety -- tend mostly to function as atavistic amplifiers of tribal xenophobia, more often than not engendering fear and loathing of the dreaded "OTHER" than any sort of benign impulse towards human brotherhood. Religion in Middle-earth would only have made bad things worse, so kudos to Professor Tolkien for letting the good things get along well enough -- as they usually do -- without this unnecessary encumbrance.
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"If it was so, it might be; and if it were so, it would be; but as it isn't, it ain't. That's logic." -- Tweedledee |
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#2 | |||
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Wight of the Old Forest
Join Date: Dec 2008
Location: Unattended on the railway station, in the litter at the dancehall
Posts: 3,329
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. But I think I get what you mean by animist - if you're trying to extrapolate his personal beliefs from his work, traces of animism can certainly be found there (e.g. Old Man Willow, Caradhras...); but that may be largely inherent in the mythological form he chose, and I'd be wary to simply label the man himself as an animist based on that.Quote:
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Und aus dem Erebos kamen viele seelen herauf der abgeschiedenen toten.- Homer, Odyssey, Canto XI |
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#3 | ||
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Haunting Spirit
Join Date: Mar 2011
Posts: 63
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A Magical or Religous Middle-earth?
First, from The Golden Bough: a Study in Magic and Religion, by Sir James George Frazer (1922):
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More importantly, as opposed to the "one enormous and prodigiously strong animal" school of animism, rather than the "multitude of invisible animals" school -- sometimes referred to as Monotheistic Animism vs Polytheistic Animism -- Professor Tolkien opted -- in The Hobbit and The Lord of the Rings -- for the creation of a "Magical" world instead of an Animist or "religious" one. According to Frazer's monumental study, both the magician and the priest claim to believe in unseen animal -- or animated -- spirits (One or several) who they claim make the observable world work as it does. Both claim to believe that the magician and the priest can sway these animal spirits -- or spooks -- to make things turn out the way the magician or the priest want. They differ, however, in that the magician believes that he can compel, or coerce, the Spook-or-spooks to do what he commands through spells and enchantments, while the priest believes that only his ritual grovelling and begging can convince the Spook-or-spooks to look favorably upon him and his tribe instead of some other priest or tribe. Therein lies the distinction between "Magic" and "Religion" -- both forms of Animism, but differing in their advertised ways of dealing with the unseen Big-Animal or host-of-little-unseen-animals -- none of which exist outside the fanciful human imagination. I leave it to the interested reader of The Hobbit and/or The Lord of the Rings to determine which form of animist behavior best describes Tolkien's Middle-earth: Magical or Religious.
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"If it was so, it might be; and if it were so, it would be; but as it isn't, it ain't. That's logic." -- Tweedledee |
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#4 | |
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Wight
Join Date: Apr 2011
Location: Settling down in Bree for the winter.
Posts: 208
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I would also suggest that both forms of magic exist. If one has a potent enough fea, one can draw on one's own strength and do stuff. Gandalf, as a maia, has such strength. Aragorn, in his healing and his prophecy, has such strength as well though how he manifests it is limited. There are times when various characters speak the names of the Valar in supplication. The word I might use to describe Tolkien's world with respect to magic and religion would be 'complicated.' |
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#5 | |
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Gruesome Spectre
Join Date: Dec 2000
Location: Heaven's doorstep
Posts: 8,039
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You say that "the magician believes that he can compel, or coerce, the Spook-or-spooks to do what he commands through spells and enchantments". Where in the books is that found? "Spells" are used by people who either, as Gandalf, have an innate ability to affect the physical environment, or, like the Witch-king, have so submerged themselves in the identity of those with innate power that they are able to "borrow" it. Spells are used in the books to affect the physical environment and further the cause of the caster, but I know of no instance in which they are used to "compel, or coerce" a higher power to do one's bidding. Then, on the "religious" side, you say "the priest believes that only his ritual grovelling and begging can convince the Spook-or-spooks to look favorably upon him and his tribe instead of some other priest or tribe." Likewise, I see no instance of that. The original premise of this thread was in fact that it is difficult to find any organised, ritualistic divine worship in the books. The sole exception is, as has been noted, the Númenóreans and their "Satanistic" Morgoth-cult. Crying to Elbereth for help in times of need may be considered a prayer, but there is no ritual involved, and it is done by anyone who feels the need for it, like Frodo and Sam. There is no priest to serve as an intermediary between the Middle-earth denizen and the Valar. The Valar themselves are intermediaries between the Children and the Creator. As blantyr said, "complicated" does seem to be the watchword here.
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Music alone proves the existence of God. |
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#6 | ||||
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Wight of the Old Forest
Join Date: Dec 2008
Location: Unattended on the railway station, in the litter at the dancehall
Posts: 3,329
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First, about the Frazer quote and a bit off topic, I suspect animals (at least domesticated ones) don't need to speculate about gods or spirits because they have us; and no doubt they quite often think that the gods must be crazy.
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See why I prefer to use the term in a narrow sense? ![]() Third, no need for the bolding. We can all read and recognize a distinction without having it shoved in our faces. Quote:
About the eagles - I think you may be right that they were sent more for the Númenóreans benefit than the Valar's. Remember the Three Houses of the Edain originally were dissenters from Morgoth worship (as per Adanel's Tale in the Athrabeth); the Valar may have feared that their descendants might relapse if left to themselves (and surprise, they did!), so they felt a need to remind the Númenóreans "We're watching you." And I think it's no coincidence that the last warning omen from the West in the days of Ar-Pharazôn was a cloud of eagles - "The eagles of the Lords of the West are at hand!", no longer as witnesses, but in wrath.
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Und aus dem Erebos kamen viele seelen herauf der abgeschiedenen toten.- Homer, Odyssey, Canto XI |
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#7 | |
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Wight
Join Date: Apr 2011
Location: Settling down in Bree for the winter.
Posts: 208
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One could create such a system of religion, but I don't think the above is at all what Tolkien did with Middle Earth. There is no priesthood trying to optimize their own power and influence. The Valar have an abundance of power, have no need to demand or coerce worship. The divinities seem more or less sane and rational, though hardly perfect and ideal. I have no sense that they would respond well to groveling or begging. Quite the contrary, they seem ready to let ordinary beings handle thing by themselves the majority of the time. Individuals in extreme situations might appeal to the Valar, but the sense that I get is that you don't bother them for little stuff. Even then, you might sort of let them know there is a problem by quickly invoking their Names, then do the best one can with or without their help. I can see both wizardly and religious magic in Middle Earth. I do see an abundance of fea all over the place: Valar, elves, humans, trees, rocks, weather and most everything in between. One might apply various words used to describe human religions to Middle Earth, but I wouldn't expect to be able to neatly pidgin hole things. But the notion that one should grovel and beg to manipulate the Valar… That just doesn't feel right. Whether one is writing fan fiction, role playing or holding a academic discussion, that just doesn't feel like the way to gain their sympathy or support. I'd recommend performing a great heroic deed or two. If you can't sing as well as Lúthien, I'd avoid the groveling and begging. |
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#8 | |
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Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,522
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I want to bring up one passage from The Sil:
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You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera |
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#9 |
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Animated Skeleton
Join Date: Oct 2010
Location: Serbia
Posts: 34
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No religion means no cruch on Sunday so...YAAAAY!
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"...Aim for the moon,if you miss,you may hit a star..." -W.Clement Stone- |
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#10 |
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Wight
Join Date: Apr 2011
Location: Settling down in Bree for the winter.
Posts: 208
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They might not have priests, but there are a lot of cultures in Middle Earth with minstrels and songs. When Frodo and Sam woke in Ithilin, one of the first major tasks was writing the tale of nine fingered Frodo and the Ring of doom. When Frodo stopped in Rivendell, there was the Hall of Fire. When the Fellowship reached Lorien they had the elves singing songs of the late Mithrandir. Even in the Wild between Bree and Rivendell, Sam knew a few verses telling the story of Gil Galad.
I'd suggest that histories are told in song. Part of the role of the song is to illustrate good and evil. What choices must a hero face, and what have been the consequences in the past? There is a large difference between a minstrel and a priest. Yet, if there is some universal agreement on the nature of good and evil, a tradition of story telling in song, in keeping alive lessons learned from past mistakes, might well be present. |
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#11 |
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Curmudgeonly Wordwraith
Join Date: Jun 2007
Location: Ensconced in curmudgeonly pursuits
Posts: 2,515
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The power of song is very evident throughout Middle-earth history. Or perhaps the better term is "songs of power", which is evidently a theme that intrigued Tolkien. We're' not talking merely singing, but a method used to summon power by beings with innate power themselves, or lesser beings that use an agent in combination with song (Frodo with the phial of Galadrial or Aragorn with athelas).
From the Music of the Ainur, to the battle of Finrod and Sauron, to Luthien and Morgoth, songs of power weaved a spell throughout Arda.
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And your little sister's immaculate virginity wings away on the bony shoulders of a young horse named George who stole surreptitiously into her geography revision. |
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#12 | |
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Cryptic Aura
Join Date: May 2002
Posts: 6,003
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Note: This is not to resurrect the "Bombadil is Eru" argument.
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I’ll sing his roots off. I’ll sing a wind up and blow leaf and branch away. |
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#13 | |
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Wight
Join Date: Apr 2011
Location: Settling down in Bree for the winter.
Posts: 208
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Still, an ordinary minstrel, a singer of tales with no occult abilities worth mentioning, has a role in keeping alive myth and perpetuating moral standards. When Frodo and Sam awoke in Ithilin after Mount Doom, one of the first things on the agenda was singing the tale of nine fingered Frodo and his ring. Sam in the Wild between Bree and Rivendell sang a bit of the tale of Gil Galad. Then there was the Hall of Fire. One has song for the telling of tales as well as song for the projection of power. I have an impression that the free peoples of the Third Age were much less likely to muck things up than their First or Second Age counterparts. An awful lot of the First and Second Age stories were tragedies. The Great in their greed, arrogance and pride were apt to muck things up big time, often involving everyone in loss and sorrow. Perhaps some of the 'goodness' in the free peoples was 'programming,' the creators who sang them into being in the First Music made them to be decent people. If part of the tradition of goodness is taught, I would not underestimate the histories told in song or perhaps epic poetry that kept old traditions alive and reminds folks of what can happen if the wrong choices are made. In many real world cultures, it is up to the priests to keep the old tales alive and make sure the moral lessons aren't lost. In Middle Earth, while there is no organized church hierarchy or codified clerical laws, the singers might be doing some part of what the priests might do in different sort of culture. |
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#14 | ||
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Gruesome Spectre
Join Date: Dec 2000
Location: Heaven's doorstep
Posts: 8,039
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Why did naming Eru in the oath "hallow" the spot, unless the god himself heard the oath, and approved? As to the last bit of your quote, all I'm going to say is that I do not agree with the basic premise, but that is not a discussion for this forum. I daresay there are some readers who see the workings of 'religion' in the books, whether you do or not, and for them that is one of the 'good things' in itself.
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Music alone proves the existence of God. |
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#15 | |
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Wight
Join Date: Apr 2011
Location: Settling down in Bree for the winter.
Posts: 208
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Yet, I do note there are few if any characters that might be described well as 'priests.' One might on occasion invoke a Valar's name in supplication, but there doesn't seem to be a clerical hierarchy of representatives claiming to speak for the Valar or advocate for their will. We might want to say that there are few to no religious institutions in comparison to historical cultures, but that the Valar are somewhat akin to Gods and that prayer is not a futile exercise. |
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