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#1 | |
Dead Serious
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In like manner, Túrin chooses each of the actions that makes the curse more operative, rather than less, and the tragedy of the Narn is precisely that Morgoth's curse worked hand-in-hand with Túrin's own actions. Like Galadriel55, this does not make me lose all sympathy for Túrin--if anything, I sympathize with him more because of it, because his repeated failures are what bring him down to a sympathetic level. Túrin without his drastic miscalculations would leave us with Boromir as he seemed at the Council of Elrond: brash, over-confident, full of himself--but even more so. Túrin is dislikable because of his successes: he is the greatest warrior, a convincing leader, a charismatic figure about to make whole nations change their polices. If Túrin were successful in these endeavours, he would be insufferable; the fact that his choices are so wrong (despite what we know are fairly noble, if over-proud, intentions) is what makes him a tragic figure. Mind you, although I find him sympathetic, I would not go so far as to say that I "like" the guy.
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I prefer history, true or feigned.
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#2 | ||
Wight of the Old Forest
Join Date: Dec 2008
Location: Unattended on the railway station, in the litter at the dancehall
Posts: 3,329
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We see in the Narn that as a child he was capable of caring for others (as in his relationship with Sador), and of course he loved his family, especially his sister Lalaith. But then he lost first her, then his father, and finally his mother when she sent him to Doriath, and it seems to me that he never recovered from this series of traumatic losses - like he was hurt so much that he never let anybody get as close to him again for fear of losing them too and being hurt again. He didn't even remember Nellas when Beleg mentioned her to him a few years later (a remarkable case of amnesia that has been discussed in its own thread). He was friends with Beleg and later Gwindor, and he seems to have loved Finduilas in a way, but his adult relationships with others never went so far that he would have let them question him or tried to look at himself through their eyes. His family (or rather his idealized memories of them) always mattered more to him than anybody else, and it may not be that much of an exaggeration to say they were the only people who really mattered to him - as seen in his decision to go searching for Morwen and Nienor instead of trying to save Finduilas, as Gwindor had bidden him.
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Und aus dem Erebos kamen viele seelen herauf der abgeschiedenen toten.- Homer, Odyssey, Canto XI |
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#3 | ||||
Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,493
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And the only other woman that ot his attention in adulthood was his own sister. Though neither knew that. But it is mentioned a number of times that something was special about the two of them (like, only Nienor could pursuade Turin to stay at home and not fight, and she felt glad only in his company). Quote:
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Also (I think there was a thread about it, but I can't remember), Beleg says that Turin "lived always with [his] heart and half [his] mind far away". That could very well mean that Turin lived in a world of his idealised family and a childhood that he never had. Edit: xed with Zil and Squatter
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You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera |
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#4 | ||
Spectre of Decay
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The story of Túrin is one of the key legends around which the Silmarillion is constructed, so I can't hope to do justice to it in the time I have at my disposal. Fortunately rather a lot of what I have to say is redundant, since Tom Shippey has already dealt with it in The Road to Middle Earth. I don't see any reason to argue with his main argument that Túrin's story is one of tension between the meanings of 'doom' as judgement and as ill fate. In the story of the Children of Húrin more than anywhere else in the matter of Middle Earth, Tolkien is exploring the balance between fate and free will as they were addressed in the early and high middle ages. Beowulf tells Unferth:
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These are only three rather obvious examples. Old English and Old Norse writings are full of references to fate, luck and doom; just as Christian works often address the apparent contradiction that God can know what will happen despite each person's freedom to choose any path. When Tolkien approached the same issue it gave rise to his starkest and most brutal story, and the closest of any of his legends to the pagan North. Much of what Túrin suffers is his own fault. His own pride, inherited from the equally pig-headed Morwen leads him repeatedly to choose the worst course of action in the face of good advice, and the chief points at which he does this have been pointed out. In constant tension with this theme, however, there is a persistent bad luck that causes every stroke he makes to turn awry. What causes Saeros to taunt Túrin with exactly the image most likely to enrage him? Why does Saeros fall into a chasm instead of escaping or tripping over? Why does one of Túrin's men decide to shoot at Mîm's sons? What causes Beleg's knife to slip? Why is it that Túrin meets with Níenor of all places at Haudh-en-Elleth? At times, the litany of evil coincidence comes very close to malign fate, just as Gisli's ill luck dooms him in spite of his accomplishments. To his great credit, Tolkien never gives us a straight answer to the central question: does Morgoth's curse destroy Húrin's family or do they destroy themselves? Typically the closest he comes to a conclusion on the subject is in Gwindor's comment on the nature of names: "The doom lies in yourself, not in your name". However, it is worth noting that whenever his opponents play into Morgoth's hands it is when their behaviour is most like his own. Another interesting point is that despite his many failures, Túrin remains a hero. At several stages in the development of this story Tolkien foresaw a revenge for him at the last battle, and he is still one of "the mighty Elf-friends of old" to Elrond in LR. Although by far the darkest of Tolkien's heroes, he never becomes as corrupt as does Fëanor; and ultimately he succeeds in his mother's ambition for him: he is never a slave.
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Man kenuva métim' andúne? |
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#5 | ||
Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,493
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I hope you meant big-headed Morwen...
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And that reminds me. At one point, I believe when Turin was ruling at Amon Rudh, Morgoth was afraid that he will overpower the curse. This might have been the most successful time in his life. But it brings up a question: did Morgoth have faith in his own curses? ![]() ![]() Quote:
I think we can equal Turin and Feanor in this sense: they are both, in a way, legendary. And I think that Feanor is more fey than corrupt - as is Turin. I sometimes wonder why Turin calls himself Turambar in Brethil. Does he wish to defy his fate? Does he think that he rose above it? I used to think that this particular name choice was made on purpose by Tolkien to create the irony of "Master of Doom, by Doom mastered".
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You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera |
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#6 |
Dead Serious
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Well, I hardly feel qualified to speak on the masterful Squatter's behalf, but my own bias leads me to conclude that he could only have possibly meant "pig-headed" (as in "stubborn, pig-headed, Morwen")--although "big-headed" isn't implausible, I suppose.
Actually, it's funny... I think I feel about Morwen the way Inzil feels about Túrin--and the reason it's funny is because Tolkien is essentially doing the same thing with both characters: both are over-proud, both are stubborn to the point of refusing advice the reader KNOWS they ought to take, and both are ultimately sympathetic characters in their tragedy. But for whatever reason, Morwen bothers me more than Túrin--maybe it's because Túrin is a child when this ill-fortune starts, whereas Morwen was a grown woman--though that might not be fair of me. After all, Morwen had to flee HER homeland as a child, when the Bragollach drove the refugees of the House of Bëor into Dor-Lómin, and she also lost her father in the war to Morgoth, one of the band of Barahir.
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I prefer history, true or feigned.
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#7 | ||
Spectre of Decay
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Surely by now everyone knows that I preview my posts several times before posting them.
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However, Morwen remains a sympathetic and tragic character. At least one reason for her remaining in Hithlum for so long is that she hopes against reason that Húrin will return, and her later headlong flight from Doriath in search of Túrin is motivated by love and concern for him. Her meeting with Húrin in the next chapter is one of the best things Tolkien ever wrote. Nonetheless, the refusal to take advice, the insistence on following one's own immediate will without thought, these are a source of tragedy time and again in the Silmarillion. When we consider the tragedy of Húrin's family alongside the story of Tuor this theme becomes even clearer. Tolkien consistently militates against willful pride, against action without counsel, against unilateral decisions. There are obvious religious reasons for this, but I'm given to wonder if there may not be something deeper that motivates this strand of the legendarium.
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Man kenuva métim' andúne? |
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#8 |
Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,493
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I get what you're saying with Morwen being overstubborn (though this does not ruin her high position in my "opinion ranks"!
![]() A thought invaded to my mind a short while ago. It is quite ironical (yes, more of that) that Hurin's kin do almost as much, if not as much, damage in a lifetime than the Doom of the Noldor in a couple hundred years. Nargothrond fell when all of them (except for Lalaith, of course) were still alive. And shortly after their end - Doriath, followed by Gondolin. All of these losses were caused directly in Nargothrond's case and indirectly for the other two by the Curse, or by the actions of the family (if you prefer it that way). But the good thing about it is that Morgoth's Curse, like all his other deeds, ultimately turned against him. If it wasn't for the sac of Doriath and Gondolin, Earendil and Elwing would never have met! And then Earendil would never have gotten the Silmaril that helped him get to Aman. So Morgoth created the perfect circumstances for his own destruction. ![]() ETA: I forgot to say this. "Fixed idea" - I think tht this could be said about many characters from the Narn. And it does relate to stubborness. But sometimes you can't tell one from the other. For example, when Morwen against all councel leaves Doriath to look for Turin, I think it's more of a fixed idea than simply "pig-headed-ness".
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You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera Last edited by Galadriel55; 09-01-2011 at 07:50 PM. |
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#9 | ||
Gruesome Spectre
Join Date: Dec 2000
Location: Heaven's doorstep
Posts: 8,039
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Music alone proves the existence of God. |
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#10 | |
Cryptic Aura
Join Date: May 2002
Posts: 6,003
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I’ll sing his roots off. I’ll sing a wind up and blow leaf and branch away. |
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#11 | ||
Gruesome Spectre
Join Date: Dec 2000
Location: Heaven's doorstep
Posts: 8,039
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Anyone can make mistakes, of course, in Tolkien's Arda as well as this world. Túrin's problem, though, is that he continually makes the same sort of mistakes time and time again. It is that which makes me so unsympathetic toward him. Also, one can point to his personality as an impediment (as I already did), and make the case that his lot was harder because of that. I take it as a basic tenant, however, that Eru Ilúvatar would not have allowed his Children to have been oppressed by Morgoth beyond their ability to endure. Túrin had the capability to overcome both the curse, and the demons within himself, he just doesn't seem willing to try. Quote:
x/d with Squatter
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Music alone proves the existence of God. Last edited by Inziladun; 08-31-2011 at 12:37 PM. Reason: typo correction |
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