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#1 |
Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,506
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But again, we as readers know that following Ulmo's, Gwindor's, Beleg's, and etc's advice would have done Turin good. But in Turin's place that choice is not as obvious. It is a choice between honourable and fair battle, and hiding like a coward; a choice between taking another step to your goals, and going back on your decisions and giving up everything that you've done to reach your goals.
And yet again, the fall of Nargothrond, Doriath, and Gondolin brought many tears, but they also brought the only hope. If they stood, Earendil wouldn't have met Elwing, who wouldn't have given him the Silmaril. Moreover, we don't know how the story would have been if Turin took a different course of action. We think that if he fought his pride and stayed in Doriath he would meet Morwen and Ninenor and later Hurin and live "happily ever after". Well, not really, but he would have a happier end. And what if something happened that would cause disastorous events in Doriath? Such as the sac of Doriath being before Elwing got the Silmaril? That would have been a worse end in my opinion. The same goes to other "opportunities". And finally, from a story point of view, it just wouldn't work. For a tragic story, you need tragic events and a tragic flaw. Logical. ![]() ![]()
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You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera |
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Late Istar
Join Date: Mar 2001
Posts: 2,224
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To touch on another point that I don't think has been mentioned in this thread yet, one of the interesting things about the Turin saga (and there are lots of interesting things about it) is that it is a rare case where Tolkien, though somewhat grudgingly and disapprovingly, seems to have endorsed the game of 'source-hunting' - that is, of looking for literary or mythological antecedents to his stories and characters. In his letter to Milton Waldman he even names some sources himself: Quote:
It seems that the character whose story Tolkien spent the most time working on was also perhaps (in a sense) Tolkien's least original character. And yet, in a different sense, Turin is undeniably an original character, notwithstanding his explicit connection with those three sources. Here we have one of the best examples of Tolkien's ability to take myths and ancient stories and not simply to rework them or reinterpret them, but to use them as building blocks (and very solid building blocks they are) in the creation of something altogether new. |
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#3 | ||
Gruesome Spectre
Join Date: Dec 2000
Location: Heaven's doorstep
Posts: 8,039
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I take it as a basic tenant that in Tolkien's Arda, evil was not allowed to oppress the Children of Ilúvatar beyond their capacity to resist. I simply don't believe that Morgoth, Sauron, or any workers of evil had carte blache to act as they would. There were limits, though perhaps they themselves were unaware of them. Also, if nothing Túrin could have done could have led him to a better fate, why were all the apparent 'good' choices presented to him? If Túrin had met a bad end in spite of making all the 'right' decisions, I know that I would have more respect and sympathy for him.
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#4 | ||
Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,506
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You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera |
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#5 |
Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,506
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There's one thing I keep forgetting to mention, even though it's like the most important argument of all. I think that just the fact that Turin makes the wrong decisions (from the readers perspective, as well as what they turn out to be in the future) all the time is enough reason to find pity for him.
Inzil, on the other hand, uses that reason to say the opposite. ![]()
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You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera |
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